Global spectrologies: Contemporary Thai horror films and the globalization of the supernatural.
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- Horror Studies, 2011, v. 2, n. 1, p. 131, doi. 10.1386/host.2.1.131_1
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- Article
Works matching IS 20403275 AND DT 2011 AND VI 2 AND IP 1
Results: 12
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Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman's Ghost Stories.
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- Horror Studies, 2011, v. 2, n. 1, p. 145, doi. 10.1386/host.2.1.145_1
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- Article
3
Reviews.
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- Horror Studies, 2011, v. 2, n. 1, p. 159, doi. 10.1386/host.2.1.159_5
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- Article
4
Music, madness and modernity in Karl Freund's Mad Love (1935).
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- Horror Studies, 2011, v. 2, n. 1, p. 3, doi. 10.1386/host.2.1.3_1
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- Article
5
Shadows and nightmares: Lewton, Siodmak, and the Elusive Noirror Film.
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- Horror Studies, 2011, v. 2, n. 1, p. 15, doi. 10.1386/host.2.1.15_1
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- Article
6
The Gizmo effect: 'Japan Inc.', American nightmares, and the fissure of the symbolic.
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- Horror Studies, 2011, v. 2, n. 1, p. 25, doi. 10.1386/host.2.1.25_1
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- Article
7
Survival horrors, survival spaces: Tracing the modern zombie (cine)myth.
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- Horror Studies, 2011, v. 2, n. 1, p. 41, doi. 10.1386/host.2.1.41_1
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- Article
8
'We Dare You to See This!': Ballyhoo and the 1970s horror film.
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- Horror Studies, 2011, v. 2, n. 1, p. 61, doi. 10.1386/host.2.1.61_1
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- Article
9
'That's Real! That's What You Want!': Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004).
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- Horror Studies, 2011, v. 2, n. 1, p. 75, doi. 10.1386/host.2.1.75_1
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- Article
10
Primal fear: A Darwinian perspective on Dan Simmons' Song of Kali.
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- Horror Studies, 2011, v. 2, n. 1, p. 89, doi. 10.1386/host.2.1.89_1
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- Article
11
Intertwinings of death and desire in Michele Soavi's Dellamorte Dellamore.
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- Horror Studies, 2011, v. 2, n. 1, p. 105, doi. 10.1386/host.2.1.105_1
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- Article
12
Nasty visions: Violent spectacle in contemporary British horror cinema.
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- Horror Studies, 2011, v. 2, n. 1, p. 115, doi. 10.1386/host.2.1.115_1
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- Article