Multiple living, one world?: On the chronotope in Alan Moore and Gene Ha's Top 10.
- Published in:
- Studies in Comics, 2011, v. 2, n. 1, p. 135, doi. 10.1386/stic.2.1.135_1
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- Article
Works matching IS 20403232 AND DT 2011 AND VI 2 AND IP 1
Results: 17
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The Moore film adaptations and the erotic-grotesque.
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- Studies in Comics, 2011, v. 2, n. 1, p. 177, doi. 10.1386/stic.2.1.177_1
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- Article
3
Googling 'Vice-President Ford' and the 'Keene Act': The discovery of Watchmen's uchronical universe, twenty years after publication.
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- Studies in Comics, 2011, v. 2, n. 1, p. 159, doi. 10.1386/stic.2.1.159_1
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- Article
4
'Solve and coagula': Alan Moore and the classical comic book's spatial and temporal systems.
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- Studies in Comics, 2011, v. 2, n. 1, p. 105, doi. 10.1386/stic.2.1.105_1
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- Article
5
Alan Moore's underground: The formation of a dissident cultural practice.
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- Studies in Comics, 2011, v. 2, n. 1, p. 21, doi. 10.1386/stic.2.1.21_1
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6
Interview with The Magus.
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- Studies in Comics, 2011, v. 2, n. 1, p. 7, doi. 10.1386/stic.2.1.7_7
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7
REVIEWS.
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- Studies in Comics, 2011, v. 2, n. 1, p. 223, doi. 10.1386/stic.2.1.223_4
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8
Alan Moore, Watchmen and some notes on the ideology of superhero comics.
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- Studies in Comics, 2011, v. 2, n. 1, p. 81, doi. 10.1386/stic.2.1.81_1
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- Article
9
A hammer to shape reality: Alan Moore's graphic novels and the avant-gardes.
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- Studies in Comics, 2011, v. 2, n. 1, p. 39, doi. 10.1386/stic.2.1.39_1
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- Article
10
V versus Hollywood: A discourse on polemic thievery.
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- Studies in Comics, 2011, v. 2, n. 1, p. 195, doi. 10.1386/stic.2.1.195_1
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- Article
11
'Nothing too heavy or too light': Negotiating Moore's Tom Strong and the academic establishment.
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- Studies in Comics, 2011, v. 2, n. 1, p. 57, doi. 10.1386/stic.2.1.57_1
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12
Dark Genesis: Falls from language and returns to Eden from 'Pog' to Promethea.
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- Studies in Comics, 2011, v. 2, n. 1, p. 93, doi. 10.1386/stic.2.1.93_1
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13
The Magus in Marks and Spencer.
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- Studies in Comics, 2011, v. 2, n. 1, p. 3, doi. 10.1386/stic.2.1.3_7
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14
Philosophy in the fairground: Thoughts on madness and madness in thought in The Killing Joke.
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- Studies in Comics, 2011, v. 2, n. 1, p. 69, doi. 10.1386/stic.2.1.69_1
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15
From Hell: Examining the transition from page to screen.
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- Studies in Comics, 2011, v. 2, n. 1, p. 207, doi. 10.1386/stic.2.1.207_1
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16
Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore.
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- Studies in Comics, 2011, v. 2, n. 1, p. 121, doi. 10.1386/stic.2.1.121_1
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17
Neil Gaiman: A portrait of the artist as a disciple of Alan Moore.
- Published in:
- Studies in Comics, 2011, v. 2, n. 1, p. 147, doi. 10.1386/stic.2.1.147_1
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- Article