Vedere, non vedere. Alessandro Leogrande e lo sguardo di Caravaggio.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 191
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- Article
Works matching IS 20375042 AND DT 2018
Results: 10
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«Nei paesi del sud le stelle sembrano più vicine»: Culture, Sexuality and Self-Translation in Ornela Vorpsi's Il paese dove non si muore mai.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 167
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- Article
3
Writing in the Foreign as a Self-Translation Practice in the New Aesthetics of Migration and Cosmopolitanism: Jhumpa Lahiri and Karima 2G as Case-Studies.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 145
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- Article
4
From Mugger to Rioter: The Myth of Black Criminality in Two Black British Texts.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 125
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- Article
5
Impossibilità del ritorno in Una vita libera di Ha Jin.
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- Scritture Migranti, 2018, n. 12, p. 111
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- Article
6
Charlotte Smith's Cross-Border Narratives.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 93
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- Article
7
Una geremiade per i migranti: rileggendo The Grapes of Wrath di John Steinbeck.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 65
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- Publication type:
- Article
8
«Maybe there is no true story»: Laila Lalami's The Moor's Account and the Shipwrecks of History.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 49
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- Article
9
Questions and Answers: Asylum Seeking Procedures Represented in Contemporary Literature.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 27
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- Article
10
«This is not a story to pass on». The representation of slavery and the International Slavery Museum in Liverpool, UK.
- Published in:
- Scritture Migranti, 2018, n. 12, p. 5
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- Publication type:
- Article