Production of Body Knowledge in Mimetic Processes.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 7, doi. 10.13128/Aisthesis-20900
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Works matching IS 20358466 AND DT 2017 AND VI 10 AND IP 1
Results: 17
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The stream of experience when watching artistic movie. Dynamic aesthetic effect revealed by the Continuous Evaluation Procedure (CEP).
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 179, doi. 10.13128/Aisthesis-20916
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Fragmente zur Ausdruckskunde.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 173, doi. 10.13128/Aisthesis-20916
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4
Dramatic Mimesis and Civic Education in Aristotle, Cicero and Renaissance Humanism.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 87, doi. 10.13128/Aisthesis-20906
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5
Zum Phänomen der Rührung in Psychoanalyse und Musik.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 177, doi. 10.13128/Aisthesis-20916
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6
Seeing through Plato's Looking Glass. Mythos and Mimesis from Republic to Poetics.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 75, doi. 10.13128/Aisthesis-20905
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7
Osservazioni sull'indipendenza dell'esperienza immediata: da Frege alla «fenomenologia sperimentale» di Paolo Bozzi.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 161, doi. 10.13128/Aisthesis-20915
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8
The Organization of Pessimism: Profane Illumination and Anthropological Materialism in Walter Benjamin.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 139, doi. 10.13128/Aisthesis-20914
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9
To imitate all that is hidden. The place of mimesis in Adorno's theory of musical performance.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 131, doi. 10.13128/Aisthesis-20913
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10
From Abbild to Bild? Depiction and Resemblance in Husserl's Phenomenology.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 117, doi. 10.13128/Aisthesis-20912
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11
Ideality in Theatre. Or a reverse evolution of mimesis from Plato to Diderot.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 107, doi. 10.13128/Aisthesis-20911
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12
Toys as Mimetic Objects. A Problem from Plato's Laws.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 97, doi. 10.13128/Aisthesis-20910
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13
Sensible schemes in aesthetic experience. Neuroaesthetics and transcendental philosophy compared.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 63, doi. 10.13128/Aisthesis-20904
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14
Human mimicry and Imitation: the case of Biomimetics.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 51, doi. 10.13128/Aisthesis-20903
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15
Visions of the body. Embodied simulation and aesthetic experience.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 41, doi. 10.13128/Aisthesis-20902
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16
Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 21, doi. 10.13128/Aisthesis-20901
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17
Foreword.
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- Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico, 2017, v. 10, n. 1, p. 3, doi. 10.13128/Aisthesis-20899
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- Article