The Aesthetic Hyper-Object in Experimental Short Film Practices: Lina Sieckmann and Miriam Gossing's Art Documentaries.
- Published in:
- Konturen, 2022, v. 12, p. 47, doi. 10.5399/uo/konturen.12.0.4915
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- Publication type:
- Article
Works matching IS 19473796 AND DT 2022 AND VI 12
Results: 8
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Girl Head: Feminism and Film Materiality.
- Published in:
- 2022
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- Publication type:
- Book Review
3
Women Artists, Feminism, and the Moving Image.
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- 2022
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- Publication type:
- Book Review
4
Poetics of Cross-Cultural Relation: Critical Performances by Artists kate-hers RHEE and Patty Chang.
- Published in:
- Konturen, 2022, v. 12, p. 96, doi. 10.5399/uo/konturen.12.0.4917
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- Publication type:
- Article
5
Film Spaces, Memory Traces: The Family House in Recha Jungman's Etwas tut weh (1979).
- Published in:
- Konturen, 2022, v. 12, p. 73, doi. 10.5399/uo/konturen.12.0.4916
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- Publication type:
- Article
6
From Acting to Action: Delphine Seyrig, Les Insoumuses, and Feminist Video in 1970s France.
- Published in:
- Konturen, 2022, v. 12, p. 24, doi. 10.5399/uo/konturen.12.0.4914
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- Publication type:
- Article
7
Julia Lesage: "I was never anything less than the person I am." An Interview with the Author, Editor, and Filmmaker Julia Lesage.
- Published in:
- 2022
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- Publication type:
- Interview
8
Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s (Introduction).
- Published in:
- Konturen, 2022, v. 12, p. 1, doi. 10.5399/uo/konturen.12.0.4912
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- Publication type:
- Article