RUSSIAN PITCH-CLASS SET ANALYSIS AND THE MUSIC OF WEBERN.
- Published in:
- 2013
- By:
- Publication type:
- Essay
Works matching IS 19386990 AND DT 2013 AND VI 6 AND IP 1
Results: 7
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MODAL TONICIZATION IN ROCK: THE SPECIAL CASE OF THE LYDIAN SCALE.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 1, p. 95
- By:
- Publication type:
- Article
3
JOHN HARBISON'S USE OF MUSIC OF THE PAST IN THREE SELECTED COMPOSITIONS.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 1, p. 143
- By:
- Publication type:
- Article
4
HARMONIC TEXT-PAINTING IN FRANZ LISZT'S LIEDER.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 1, p. 1
- By:
- Publication type:
- Article
5
CONNECTING ANALYSIS AND PERFORMANCE: A CASE STUDY FOR DEVELOPING AN EFFECTIVE APPROACH.
- Published in:
- 2013
- By:
- Publication type:
- Case Study
6
CLASSICAL MODELS, SONATA THEORY, EQUAL DIVISION OF THE OCTAVE AND TWO NINETEENTH-CENTURY SYMPHONIC MOVEMENTS: COMPARING ANALYTICAL APPROACHES.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 1, p. 45
- By:
- Publication type:
- Article
7
SET ON NOTES: PALINDROMES AND OTHER SYMMETRY IN THE MUSIC OF VIKTOR ULLMANN.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 1, p. 193
- By:
- Publication type:
- Article