WEBERN'S "HEAVENLY JOURNEY" AND SCHOENBERG'S VAGRANT CHORDS.Published in:Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2011, v. 4, n. 1, p. 317By:Shaftel, MatthewPublication type:Article
THE MARRIAGE OF NOTE AND WORD IN TWO SONGS BY THE GERSHWINS.Published in:2011By:Forte, AllenPublication type:Essay
SCHENKER'S FIRST "AMERICANIZATION": GEORGE WEDGE, THE INSTITUTE OF MUSICAL ART, AND THE "APPRECIATION RACKET".Published in:2011By:Berry, David CarsonPublication type:Essay
FAURÉ, THROUGH BOULANGER, TO COPLAND: THE NATURE OF INFLUENCE.Published in:2011By:Phillips, Edward R.Publication type:Essay
FOUNDATIONS OF DIATONIC THEORY: A MATHEMATICALLY BASED APPROACH TO MUSIC FUNDAMENTALS.Published in:2011By:Santa, MatthewPublication type:Book Review
REDATING SCHOENBERG'S ANNOUNCEMENT OF THE TWELVE-TONE METHOD: A STUDY OF RECOLLECTIONS.Published in:2011By:Hamao, FusakoPublication type:Essay
PROGRESSIVE TRENDS IN VARIATION FORM: ROBERT SCHUMANN'S PIANO SONATA IN F MINOR, OP. 14, QUASI VARIAZIONI.Published in:2011By:Hiu-Wah AuPublication type:Essay
MULTIPLY DIRECTED MOMENTS IN A BRAHMS SONG: "SCHÖN WAR, DAS ICH DIR WEIHTE" (OP. 95, NO. 7).Published in:2011By:Hoag, MelissaPublication type:Essay
CLASSICAL MODELS, SONATA THEORY, AND THE FIRST MOVEMENT OF LISZT'S FAUST SYMPHONY.Published in:Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2011, v. 4, n. 1, p. 53By:Cinnamon, HowardPublication type:Article
A STUDY OF DONALD GRANTHAM'S FANTASY VARIATIONS: BROAD MUSICAL CONNECTIONS IN CORE THEORY CLASSES.Published in:Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2011, v. 4, n. 1, p. 27By:Carr-Richardson, AmyPublication type:Article