A STUDY OF DONALD GRANTHAM'S FANTASY VARIATIONS: BROAD MUSICAL CONNECTIONS IN CORE THEORY CLASSES.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2011, v. 4, n. 1, p. 27
- By:
- Publication type:
- Article
Works matching IS 19386990 AND DT 2011 AND VI 4 AND IP 1
Results: 11
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2
WEBERN'S "HEAVENLY JOURNEY" AND SCHOENBERG'S VAGRANT CHORDS.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2011, v. 4, n. 1, p. 317
- By:
- Publication type:
- Article
3
THE MARRIAGE OF NOTE AND WORD IN TWO SONGS BY THE GERSHWINS.
- Published in:
- 2011
- By:
- Publication type:
- Essay
4
UNDERSTANDING POST-TONAL MUSIC.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
5
SCHENKER'S FIRST "AMERICANIZATION": GEORGE WEDGE, THE INSTITUTE OF MUSICAL ART, AND THE "APPRECIATION RACKET".
- Published in:
- 2011
- By:
- Publication type:
- Essay
6
FOUNDATIONS OF DIATONIC THEORY: A MATHEMATICALLY BASED APPROACH TO MUSIC FUNDAMENTALS.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
7
REDATING SCHOENBERG'S ANNOUNCEMENT OF THE TWELVE-TONE METHOD: A STUDY OF RECOLLECTIONS.
- Published in:
- 2011
- By:
- Publication type:
- Essay
8
PROGRESSIVE TRENDS IN VARIATION FORM: ROBERT SCHUMANN'S PIANO SONATA IN F MINOR, OP. 14, QUASI VARIAZIONI.
- Published in:
- 2011
- By:
- Publication type:
- Essay
9
MULTIPLY DIRECTED MOMENTS IN A BRAHMS SONG: "SCHÖN WAR, DAS ICH DIR WEIHTE" (OP. 95, NO. 7).
- Published in:
- 2011
- By:
- Publication type:
- Essay
10
FAURÉ, THROUGH BOULANGER, TO COPLAND: THE NATURE OF INFLUENCE.
- Published in:
- 2011
- By:
- Publication type:
- Essay
11
CLASSICAL MODELS, SONATA THEORY, AND THE FIRST MOVEMENT OF LISZT'S FAUST SYMPHONY.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2011, v. 4, n. 1, p. 53
- By:
- Publication type:
- Article