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Introduction.
- Published in:
- Mechademia, 2012, v. 7, p. 3
- By:
- Publication type:
- Article
Inventing Intervals: The Digital Image in Metropolis and Gankutsuō.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Takahashi Macoto: The Origin of Shōjo Manga Style.
- Published in:
- 2012
- By:
- Publication type:
- Essay
The Face in the Shadow of the Camera: Corporeality of the Photographer in Kanai Mieko's Narratives.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Kamishibai and the Art of the Interval.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Hokusai's Lines of Sight.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Superflat and the Postmodern Gothic: Images of Western Modernity in Kuroshitsuji.
- Published in:
- 2012
- By:
- Publication type:
- Essay
From Techno-cute to Superflat: Robots and Asian Architectural Futures.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Dying in Two Dimensions: Genji emaki and the Wages of Depth Perception.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Image Essay: Mobile Worldviews.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Topologies of Identity in Serial Experiments Lain.
- Published in:
- 2012
- By:
- Publication type:
- Essay
From Superflat Windows to Facebook Walls: Mobility and Multiplicity of an Animated Shopping Gaze.
- Published in:
- 2012
- By:
- Publication type:
- Essay
New Halves, Old Selves: Reincarnation and Transgender Identification in Ōshima Yumiko's Tsurubara-tsurubara.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Audiovisual Redundancy and Remediation in Audiovisual Redundancy and Remediation in Ninja bugeichō.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Anatomy of Permutational Desire, Part III: The Artificial Woman and the Perverse Structure of Modernity.
- Published in:
- 2012
- By:
- Publication type:
- Essay