The Scar and the Node: Border Science Fiction and the Mise-en-scène of Globalized Labor.
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- Global South, 2014, v. 8, n. 1, p. 69, doi. 10.2979/globalsouth.8.1.69
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- Article
Works matching IS 19328648 AND DT 2014 AND VI 8 AND IP 1
Results: 8
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The Reappropriation of Poverty and the Art of 'Making Do' in Contemporary Argentine Cultural Productions.
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- Global South, 2014, v. 8, n. 1, p. 112, doi. 10.2979/globalsouth.8.1.112
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- Article
3
The Labor of Attention and Spectatorship in Latin American Cinema: Fernando Eimbcke's Temporada de patos ( Duck Season, 2004).
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- Global South, 2014, v. 8, n. 1, p. 51, doi. 10.2979/globalsouth.8.1.51
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- Article
4
Introduction: New Media Methodologies in the Global South.
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- Global South, 2014, v. 8, n. 1, p. 1, doi. 10.2979/globalsouth.8.1.1
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- Article
5
Beyond Normative Dewesternization: Examining Media Culture from the Vantage Point of the Global South.
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- Global South, 2014, v. 8, n. 1, p. 7, doi. 10.2979/globalsouth.8.1.7
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- Article
6
Cinematic Clearances: Spaces of Poverty in Hindi Cinema's Big Budget Productions.
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- Global South, 2014, v. 8, n. 1, p. 91, doi. 10.2979/globalsouth.8.1.91
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- Article
7
Contributors.
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- Global South, 2014, v. 8, n. 1, p. 128, doi. 10.2979/globalsouth.8.1.128
- Publication type:
- Article
8
Amazonian Sound Systems, Cyborg Indians, and the Future of the Future, Or, the Renewed Search for El Dorado under Late Capitalism.
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- Global South, 2014, v. 8, n. 1, p. 24, doi. 10.2979/globalsouth.8.1.24
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- Article