"THE SEA HAS NEVER BEEN FRIENDLY TO MAN." JOSEPH CONRAD'S TOPOI IN THE DIGITAL GAME SUNLESS SEA.
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- Yearbook of Conrad studies, 2019, v. 14, p. 83, doi. 10.4467/20843941YC.19.004.13230
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- Article
Works matching IS 18993028 AND DT 2019 AND VI 14
Results: 7
1
2
WHAT "A SMILE OF FORTUNE" HAS TO HIDE: AN INTERTEXTUAL AND COMPARATIVE RECONSIDERATION OF THE TEXTURE AND THEME OF CONRAD'S TALE.
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- Yearbook of Conrad studies, 2019, v. 14, p. 7, doi. 10.4467/20843941YC.19.001.13227
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- Article
3
TO FOLLOW CONRAD'S STAGE ADVENTURE.
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- Yearbook of Conrad studies, 2019, v. 14, p. 123, doi. 10.4467/20843941YC.19.007.13233
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- Article
4
"UNFATHOMABLE CALMNESS": BETRAYAL TRAUMA, SILENCE AND DISSOCIATION IN THE SECRET AGENT.
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- Yearbook of Conrad studies, 2019, v. 14, p. 61, doi. 10.4467/20843941YC.19.003.13229
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- Article
5
CONRAD'S ARTISTIC RETURNS: PERSPECTIVES ON A BULGARIAN DEBUT IN STAGING HEART OF DARKNESS.
- Published in:
- Yearbook of Conrad studies, 2019, v. 14, p. 35, doi. 10.4467/20843941YC.19.002.13228
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- Article
6
A TRAGIC VENUS. IDOLATRY, DESIRE AND SUFFERING IN "THE PLANTER OF MALATA" BY JOSEPH CONRAD.
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- Yearbook of Conrad studies, 2019, v. 14, p. 109, doi. 10.4467/20843941YC.19.006.13232
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- Article
7
ABOUT ADAPTING CONRAD'S PROSE TO FILM.
- Published in:
- Yearbook of Conrad studies, 2019, v. 14, p. 93, doi. 10.4467/20843941YC.19.005.13231
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- Publication type:
- Article