CHAPTER 23: The New Man, According to Sándor Bortnyik.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 600, doi. 10.1163/9789004526747_025
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Works matching IS 18796419 AND DT 2024 AND VI 42
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CHAPTER 22: Android, Cyborg, Dandy and Woman: Representations of the Body in the Decadent and Dada Imaginations: the Hungarian and International Contexts.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 586, doi. 10.1163/9789004526747_024
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CHAPTER 21: Crossovers and Transgressions: Dada as a Life Strategy in Emil Szittya's Works.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 552, doi. 10.1163/9789004526747_023
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CHAPTER 20: Dada Lingua Franca: the Linguistic Fate of Tristan Tzara and Raoul Hausmann.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 510, doi. 10.1163/9789004526747_022
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CHAPTER 19: Raoul Hausmann and the Welteislehre: Science and Identity.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 493, doi. 10.1163/9789004526747_021
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CHAPTER 18: Self-Positioning in the International Avant-Garde: Kassák's Strategic Use of Dada and Constructivism in the Book of New Artists.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 459, doi. 10.1163/9789004526747_020
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CHAPTER 17: Words, Sounds, Images, Theories: the Authors of the Magazine IS in the Context of Dadaism.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 444, doi. 10.1163/9789004526747_019
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CHAPTER 16: Dadá, not Dáda: Moholy-Nagy in Berlin, 1920-1921.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 372, doi. 10.1163/9789004526747_018
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CHAPTER 15: Revolt and Authority: From Kassák to Erdély: Dada in the Hungarian Avant-Garde and Neo-Avant-Garde.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 353, doi. 10.1163/9789004526747_017
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CHAPTER 14: The Genesis of Dada: Futurist Influences in Germany, Romania and at the Cabaret Voltaire.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 335, doi. 10.1163/9789004526747_016
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CHAPTER 13: Green Donkey Theatre: a Case Study on Theatrical Innovations in the Name of Dadaism.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 308, doi. 10.1163/9789004526747_015
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CHAPTER 12: To Write with Dots or Not to Write at All? Dada Ideas in Polish Interwar Literature.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 288, doi. 10.1163/9789004526747_014
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CHAPTER 11: Míra Holzbachová: Embodying the Avant-Garde.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 250, doi. 10.1163/9789004526747_013
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CHAPTER 10: Marcel Breuer and Dada Performance: Remade Readymade Self and Furniture.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 221, doi. 10.1163/9789004526747_012
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CHAPTER 9: "Dada Is the Best Paying Concern of the Day": Consumer Culture, Performativity, and the Avant-Garde in Romania.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 190, doi. 10.1163/9789004526747_011
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CHAPTER 8: Dada as an Avant-Garde Movement and as Invective.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 167, doi. 10.1163/9789004526747_010
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CHAPTER 7: Two Mysterious "Mademoiselles": Jeanne Rigaud and Maria Cantarelli: A Multilingual Multi-Layered Dada Pun Unravelled?
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- Avant-Garde Critical Studies, 2024, v. 42, p. 150, doi. 10.1163/9789004526747_009
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CHAPTER 6: Céline Arnauld, the "Nomadic" Avant-Garde Writer: a Transnational Approach to Her Life and Work.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 129, doi. 10.1163/9789004526747_008
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CHAPTER 5: Hungarian Dada: the Missing Link.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 105, doi. 10.1163/9789004526747_007
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CHAPTER 4: The Dada Entr'acte of Dragan Aleksić.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 77, doi. 10.1163/9789004526747_006
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CHAPTER 3: Polish Responses to Dadaism: The Voices on Dada, Contacts and Interpretations.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 55, doi. 10.1163/9789004526747_005
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CHAPTER 2: Becoming Avant-Garde: Romanian Appropriations of Dada Techniques through East-Central European Networking.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 38, doi. 10.1163/9789004526747_004
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CHAPTER 1: An Exchange Point in a Network: Prague and Dada, 1918-1922.
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- Avant-Garde Critical Studies, 2024, v. 42, p. 27, doi. 10.1163/9789004526747_003
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"Dada Is More than Dada".
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- Avant-Garde Critical Studies, 2024, v. 42, p. 1, doi. 10.1163/9789004526747_002
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