CHAPTER 16 First Modernist Women Artists in Latvia and Their Paths into the International Art Scene.
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- 2016
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- Publication type:
- Essay
Works matching IS 18796419 AND DT 2016 AND VI 33
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CHAPTER 15 Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova.
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CHAPTER 14 Natalia Goncharova: Artistic Innovator and Inspiring Muse.
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CHAPTER 13 The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg.
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- Essay
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CHAPTER 12 Elisabeth Epstein: Moscow-Munich-Paris-Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer.
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CHAPTER 11 Maria Marc's Letters.
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CHAPTER 10 Erma Bossi.
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CHAPTER 9 Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde.
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CHAPTER 8 "Between us sleeps our child--art": Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries.
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CHAPTER 7 Performing the Wo/man: The "Interplay" between Marianne Werefkin and Else Lasker-Schüler.
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CHAPTER 6 Women Artists of Marianne Werefkin's Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine.
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CHAPTER 5 The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought.
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CHAPTER 4 Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War.
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CHAPTER 3 Marianne Werefkin in Prerow, 1911: The Periphery as Focus.
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CHAPTER 2 Marianne Werefkin--From the Blue Rider to the Great Bear: An Exhibition in Retrospect.
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CHAPTER 1 Marianne Werefkin: Clemens Weiler's Legacy.
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Introduction.
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- Avant-Garde Critical Studies, 2016, v. 33, p. 1, doi. 10.1163/9789004333147_002
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- Article
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Acknowledgements.
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- Avant-Garde Critical Studies, 2016, v. 33, p. ix
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- Article