POST-REVOLUTION CRISES, MIGRATION AND THE QUEST FOR SELF‐IDENTITY IN ABDULRAZAK GURNAH’S GRAVEL HEART1.
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- ANAFORA, 2022, v. 9, n. 1, p. 101, doi. 10.29162/ANAFORA.v9i1.6
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Works matching IS 18492339 AND DT 2022 AND VI 9 AND IP 1
Results: 12
1
2
Uvod u interpretaciju proze.
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- ANAFORA, 2022, v. 9, n. 1, p. 199
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- Article
3
„Judi imaju dušu, a živine paru“? Književnoanimalistička čitanja.
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- ANAFORA, 2022, v. 9, n. 1, p. 195
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- Article
4
Literarni izvori i pjesnička radionica u Razgovoru ugodnom.
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- ANAFORA, 2022, v. 9, n. 1, p. 189
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- Article
5
KRANKHEIT, KULTUR UND KOMFORT DEKADENZ ALS LEBENSSTIL IN EDUARD VON KEYSERLINGS ERZÄHLUNGEN.
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- ANAFORA, 2022, v. 9, n. 1, p. 165, doi. 10.29162/ANAFORA.v9i1.9
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- Article
6
KRANKHEIT ALS KAMPF. DIE MENSCHENFRESSERIN (1996) VON VALÉRIE DAYRE UND WOLF ERLBRUCH.
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- ANAFORA, 2022, v. 9, n. 1, p. 141, doi. 10.29162/ANAFORA.v9i1.8
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7
SELF IS MEANINGLESS WHEN THE OTHER IS NOT TRULY UNDERSTOOD: REVISITING THE PERSIAN MYSTICAL PARABLES OF RUMI’S MATHNAVI AND POMERANCE’S THE ELEPHANT MAN.
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- ANAFORA, 2022, v. 9, n. 1, p. 121, doi. 10.29162/ANAFORA.v9i1.7
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- Article
8
“GENERATIVITY VERSUS STAGNATION”: MIDLIFE CRISIS IN KAZUO ISHIGURO’S THE REMAINS OF THE DAY.
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- ANAFORA, 2022, v. 9, n. 1, p. 81, doi. 10.29162/ANAFORA.v9i1.5
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- Article
9
FOOD, EATING, AND NARRATIVIZATION OF IDENTITY IN MARGARET ATWOOD’S LADY ORACLE.
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- ANAFORA, 2022, v. 9, n. 1, p. 63, doi. 10.29162/ANAFORA.v9i1.4
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- Article
10
WOMEN’S VOICES IN CONTEMPORARY IRISH THEATRE: POSTFEMINIST AND ETHICAL ISSUES IN MARINA CARR’S MARBLE AND NANCY HARRIS’S NO ROMANCE.
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- ANAFORA, 2022, v. 9, n. 1, p. 45, doi. 10.29162/ANAFORA.v9i1.3
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11
RODNE ULOGE I ŽENSKI IDENTITET U DRAMAMA DUGO PUTOVANJE U NOĆ EUGENEA O‘NEILLA I SJEĆAM SE MAME JOHNA VAN DRUTENA.
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- ANAFORA, 2022, v. 9, n. 1, p. 25, doi. 10.29162/ANAFORA.v9i1.2
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- Article
12
DRUŠTVO I NAKLADNIŠTVO – POSREDOVANJE KNJIGE U PRVIM DESETLJEĆIMA 21. STOLJEĆA.
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- ANAFORA, 2022, v. 9, n. 1, p. 1, doi. 10.29162/ANAFORA.v9i1.1
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- Article