POLIŽANROVSKA I TRANSDISKURZIVNA TEKSTUALNOST (TRANS)ROMANA ME’MED, CRVENA BANDANA I PAHULJICA SEMEZDINA MEHMEDINOVIĆA.
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- ANAFORA, 2020, v. 7, n. 1, p. 1, doi. 10.29162/ANAFORA.v7i1.1
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- Article
Works matching IS 18492339 AND DT 2020 AND VI 7 AND IP 1
Results: 11
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NEWMAN AND STROSSMAYER ON THE RELATIONSHIP BETWEEN THE CHURCH AND THE STATE (I).
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- ANAFORA, 2020, v. 7, n. 1, p. 225, doi. 10.29162/ANAFORA.v7i1.11
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- Article
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THE LACANIAN GAZE IN JOHN KEATS'S THE EVE OF ST. AGNES: A ROMANCE OF RESISTANCE.
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- ANAFORA, 2020, v. 7, n. 1, p. 209, doi. 10.29162/ANAFORA.v7i1.10
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- Article
4
THE UPHOLDERS OF ANTHROPOCENTRISM AND BIOCENTRISM IN ANNIE PROULX'S BARKSKINS.
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- ANAFORA, 2020, v. 7, n. 1, p. 189, doi. 10.29162/ANAFORA.v7i1.9
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- Article
5
OIL WEALTH, CORRUPTION, AND THE MULTIPLE F(PH)ACES OF INTERNAL COLONIALISM IN AHMED YERIMA'S HARD GROUND.
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- ANAFORA, 2020, v. 7, n. 1, p. 165, doi. 10.29162/ANAFORA.v7i1.8
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- Article
6
LIBERAL FAILURE: POSSIBLE WORLDS IN JOHN UPDIKE'S RABBIT, RUN.
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- ANAFORA, 2020, v. 7, n. 1, p. 145, doi. 10.29162/ANAFORA.v7i1.7
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- Article
7
KOBAŠKA ŠETANA KOLA - PRINOSI PROUČAVANJU SLAVONSKE NEMATERIJALNE KULTURNE BAŠTINE.
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- ANAFORA, 2020, v. 7, n. 1, p. 121, doi. 10.29162/ANAFORA.v7i1.6
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- Article
8
ULOGA SCENSKOGA PROSTORA U PRODUKCIJSKO-RECEPCIJSKOM PROCESU NA PRIMJERU ENGLESKE TOPOGRAFSKE DRAME I DUBROVAČKE KOMEDIJE 17. STOLJEĆA.
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- ANAFORA, 2020, v. 7, n. 1, p. 99, doi. 10.29162/ANAFORA.v7i1.5
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- Article
9
TRADICIJSKE ZALIHE ZBIRKE PJESAMA BUNJEVAČKI BLUES (2003.) TOMISLAVA ŽIGMANOVA.
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- ANAFORA, 2020, v. 7, n. 1, p. 77, doi. 10.29162/ANAFORA.v7i1.4
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- Article
10
DEKADENZ UND KONFLIKT IN THOMAS MANNS ERZÄHLUNG MARIO UND DER ZAUBERER.
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- ANAFORA, 2020, v. 7, n. 1, p. 57, doi. 10.29162/ANAFORA.v7i1.3
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- Article
11
SRDŽBA IVANA KARAMAZOVA.
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- ANAFORA, 2020, v. 7, n. 1, p. 25, doi. 10.29162/ANAFORA.v7i1.2
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- Article