Mȍra.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 434, doi. 10.29162/ANAFORA.v4i2.18
- By:
- Publication type:
- Article
Works matching IS 18492339 AND DT 2017 AND VI 4 AND IP 2
Results: 18
1
2
The American Civil War on Film and TV: Blue and Gray in Black and White and Color.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
3
The Boundaries of Dystopian Literature. The Genre in Context.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
4
The Oxford Handbook of Adaptation Studies.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
5
The Pedagogy of Adaptation.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
6
FROM “CRASH!” TO CRASH: ADAPTING THE ADAPTATION.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 293, doi. 10.29162/ANAFORA.v4i2.7
- By:
- Publication type:
- Article
7
FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 401, doi. 10.29162/ANAFORA.v4i2.13
- By:
- Publication type:
- Article
8
FIDELITY, ADAPTATION, AND METACOMMENTARY: THE CASE OF SUSAN ORLEAN'S THE ORCHID THIEF AND SPIKE JONZE’S ADAPTATION.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 267, doi. 10.29162/ANAFORA.v4i2.6
- By:
- Publication type:
- Article
9
“TILL THIS MOMENT I NEVER KNEW MYSELF”: ADAPTING PRIDE AND PREJUDICE.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 349, doi. 10.29162/ANAFORA.v4i2.10
- By:
- Publication type:
- Article
10
JULIE TAYMOR'S IDEOGRAPHS IN HER ADAPTATIONS OF SHAKESPEARE’S TITUS ANDRONICUS AND THE TEMPEST.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 333, doi. 10.29162/ANAFORA.v4i2.9
- By:
- Publication type:
- Article
11
AT THE END IS PIURAA: THE RAVEN'S GIFT BY DON REARDEN.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
12
THE ADAPTATION OF IVANA ŠOJAT'S MODERNIST NOVEL UNTERSTADT.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 381, doi. 10.29162/ANAFORA.v4i2.12
- By:
- Publication type:
- Article
13
A TALE WITHIN A TALE: MISE EN ABYME ADAPTATIONS OF THE TWENTY-FIRST CENTURY.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 361, doi. 10.29162/ANAFORA.v4i2.11
- By:
- Publication type:
- Article
14
FILM ADAPTATION AS TRANSLATION: AN ANALYSIS OF ADAPTATION SHIFTS IN SILVER LININGS PLAYBOOK.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 249, doi. 10.29162/ANAFORA.v4i2.5
- By:
- Publication type:
- Article
15
EDITORIAL TO THE ADAPTATION STUDIES SECTION.
- Published in:
- 2017
- By:
- Publication type:
- Conference Paper/Materials
16
ADAPTING THE ADAPTED: THE BLACK RAPIST MYTH IN E.R. BURROUGHS' TARZAN OF THE APES AND ITS FILM ADAPTATIONS.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 313, doi. 10.29162/ANAFORA.v4i2.8
- By:
- Publication type:
- Article
17
LOVE IS EMPIRE: A COGNITIVE ANALYSIS OF METAPHORS OF EMPIRE IN JOHN DONNE’S LOVE POETRY.
- Published in:
- ANAFORA, 2017, v. 4, n. 2, p. 197, doi. 10.29162/ANAFORA.v4i2.2
- By:
- Publication type:
- Article
18
SILENCE AND SELF-EXPRESSION IN CHARLOTTE BRONTË'S SHIRLEY: AN APPLICATION OF JOHN SEARLE’S SPEECH ACTS THEORY.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism