KULLERVO - A SYMPHONY FOR A TRAGIC HERO.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 197, doi. 10.24193/subbmusica.2024.1.14
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Works matching IS 18444369 AND DT 2024 AND VI 69 AND IP 1
Results: 19
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CONTINUITIES AND DISCONTINUITIES IN ROMANIAN MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 89, doi. 10.24193/subbmusica.2024.1.07
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THE EVOLUTION OF THE HARMONIUM: FROM ANCIENT CHINA TO BELOVED INSTRUMENT IN FRANCE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 229, doi. 10.24193/subbmusica.2024.1.17
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STYLISTIC CORRELATIONS BETWEEN SERBIAN AND EUROPEAN MUSIC IN THE 20<sup>TH</sup> CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 221, doi. 10.24193/subbmusica.2024.1.16
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THE INNOVATIVE ELEMENT IN THE GENRE OF OPERA OR THE MODERNITY OF ARTISTIC EXPRESSION IN THE CONTEMPORARY LYRIC THEATER.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 211, doi. 10.24193/subbmusica.2024.1.15
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OUR HERITAGE: HUNGARIAN PROTESTANT ANTIPHONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 255, doi. 10.24193/subbmusica.2024.1.19
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INSIGHTS INTO THE MUSICAL DRAMATURGY OF ASTOR PIAZZOLLA'S OPERITA MARIA DE BUENOS AIRES.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 241, doi. 10.24193/subbmusica.2024.1.18
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THE USE OF THE HARMONIUM IN OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 181, doi. 10.24193/subbmusica.2024.1.13
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THE EPILOGUE OF THE MEFISTOFELE OPERA BY ARRIGO BOITO - SACRED CONNOTATIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 149, doi. 10.24193/subbmusica.2024.1.11
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- Article
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INTERPRETATION OF MUSICAL TOPOS IN W. A. MOZART'S SONATA CYCLES.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 135, doi. 10.24193/subbmusica.2024.1.10
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STYLISTIC ORIGINS OF CHINESE PIANISM.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 123, doi. 10.24193/subbmusica.2024.1.09
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HETEROPHONY AS A WAY OF ORGANIZING OF THE MUSICAL SYNTAX.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 111, doi. 10.24193/subbmusica.2024.1.08
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AN ANALYSIS OF F. CHOPİN'S MUSİC LANGUAGE İN TERMS OF MELODY, HARMONY AND RHYTHM.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 165, doi. 10.24193/subbmusica.2024.1.12
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THE INTERACTIONS OF MUSICAL ELEMENTS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 73, doi. 10.24193/subbmusica.2024.1.06
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INTEGRATING THE PREPARATION FOR AN EDUCATIONAL CONCERT INTO THE SCHOOL CURRICULUM.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 61, doi. 10.24193/subbmusica.2024.1.05
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THE MULTIFACETED IMPACT OF MUSIC ON LEARNING IN TRADITIONAL AND MUSIC SCHOOLS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 47, doi. 10.24193/subbmusica.2024.1.04
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EUROPEAN MUSICAL DIDACTIC TRADITIONS - COMPARATIVE ANALYSIS BETWEEN ROMANIA AND ITALY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 35, doi. 10.24193/subbmusica.2024.1.03
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LAURE CINTI-DAMOREAU'S MÉTHODE DE CHANT - EXPLORING A HISTORIC VOICE TREATISE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 23, doi. 10.24193/subbmusica.2024.1.02
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SECONDS UNDER MAGNIFYING GLASS - FOCUS ON PURE INTONATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 7, doi. 10.24193/subbmusica.2024.1.01
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