THE HYPNOTIC GARDEN: REPETITION AND TRANCE IN SALVATORE SCIARRINO'S WORKS FOR FLUTE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 321, doi. 10.24193/subbmusica.2022.1.20
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Works matching IS 18444369 AND DT 2022 AND VI 67 AND IP 1
Results: 20
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EXPRESSION OF THE ROMANIAN FOLK STYLE IN BÉLA BARTÓK'S STRING QUARTET NO. 1.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 305, doi. 10.24193/subbmusica.2022.1.19
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IN DIALOGUE WITH IMPRESSIONISM: JEUX D'EAU BY MAURICE RAVEL.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 277, doi. 10.24193/subbmusica.2022.1.18
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THE CHARACTER "LUCREZIA BORGIA" OF DONIZETTI'S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 263, doi. 10.24193/subbmusica.2022.1.17
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THE FORMAL, TONAL, AND HARMONIC LOGIC OF L. VAN BEETHOVEN'S AN DIE FERNE GELIEBTE (TO THE DISTANT BELOVED) (OP. 98) SONG CYCLE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 243, doi. 10.24193/subbmusica.2022.1.16
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DAS GEBET „VATERUNSER" IN DER KOMPONISTISCHEN SICHT VON CIPRIAN PORUMBESCU - THEOLOGISCHE UND MUSIKOLOGISCHE ASPEKTE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 229, doi. 10.24193/subbmusica.2022.1.15
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THEOLOGICAL, LITERARY, AND MUSICAL KNOWLEDGE, ALL IN THE SERVICE OF SACRED MUSIC. THE PSALM ARRANGEMENTS OF KÁLMÁN CSOMASZ TÓTH.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 213, doi. 10.24193/subbmusica.2022.1.14
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VOCAL DEPERSONALIZATION IN SCAT SINGING.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 195, doi. 10.24193/subbmusica.2022.1.13
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MUSIC TRANSFER AND CULTURAL CONTACT: ROMANIAN POPULAR SONGS IN THE REPERTOIRE OF THE SAXONS FROM THE SECAŞE VALLEY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 175, doi. 10.24193/subbmusica.2022.1.12
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THE ASSESSMENT OF ORIGINALITY IN ACADEMIC RESEARCH.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 165, doi. 10.24193/subbmusica.2022.1.11
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THE BEGINNING OF MODERNISM IN THE MUSIC OF SERBIAN COMPOSERS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 155, doi. 10.24193/subbmusica.2022.1.10
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COMPOSITIONAL PARTICULARITIES AND ASIAN INFLUENCES IN THE MUSICAL CONCEPTION AND WORKS OF JOHN CAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 139, doi. 10.24193/subbmusica.2022.1.09
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A PERSPECTIVE ON THE OPERA AUDIENCE OF THE 21<sup>ST</sup> CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 119, doi. 10.24193/subbmusica.2022.1.08
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CONVERTING NATIONALISM INTO SOCIALISM THROUGH FOLK MUSIC IN STALINIST ROMANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 99, doi. 10.24193/subbmusica.2022.1.07
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THE CHANGING OF THE AESTHETIC BALLET'S SPHERE IN THE INTERWAR PERIOD. BETWEEN THE DECONSTRUCTION OF OSKAR SCHLEMMER'S BALLET AND THE IDEA OF "GEBRAUCHMUSIK" OF PAUL HINDEMITH - AN IMAGISTIC ALLEY FROM OSKAR SCHLEMMER TO CÉLINE DION [1922-2019].
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 71, doi. 10.24193/subbmusica.2022.1.06
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SIGNIFICANT PERSONALITIES AS TURNING POINTS IN THE LIFE AND MUSIC OF JOHANNES BRAHMS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 57, doi. 10.24193/subbmusica.2022.1.05
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PROPOSAL OF AN ALTERNATIVE REPERTOIRE FOR CLASSICAL MUSIC AUDITION THROUGH THE ROCK GENRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 49, doi. 10.24193/subbmusica.2022.1.04
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A CASE STUDY ON SONGWRITING IN MUSIC THERAPY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 37, doi. 10.24193/subbmusica.2022.1.03
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ENCOURAGING GUIDELINES IN NEUROMUSICOLOGICAL RESEARCH REGARDING CLASSICAL MUSIC'S USAGE IN SONIC THERAPY - WHEN SCIENCE BECOMES MAGIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 21, doi. 10.24193/subbmusica.2022.1.02
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KATALIN INCZE G.: PORTRAIT OF A COMPOSER.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 9, doi. 10.24193/subbmusica.2022.1.01
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