RECONFIGURING MUSICAL CULTURES IN CENTRAL AND SOUTHEASTERN EUROPE.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 385
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Works matching IS 18444369 AND DT 2021 AND VI 66 AND IP 2
Results: 25
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MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI'S HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS).
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 361, doi. 10.24193/subbmusica.2021.2.24
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THE POLONAISE IN FRÉDÉRIC CHOPIN'S WORKS. ANDANTE SPIANATO AND THE GRANDE POLONAISE BRILLANTE OP.22.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 333, doi. 10.24193/subbmusica.2021.2.23
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THE "WILD BEAUTY" OF BRAHMS'S RHAPSODIES, OP. 79. STRUCTURAL ANALYSIS AND COMPARATIVE ANALYSIS OF PERFORMANCES.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 309, doi. 10.24193/subbmusica.2021.2.22
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THE "FATALITY" MOTIF - A DEFINING ELEMENT IN THE MUSICAL DRAMATURGY OF THE OPERA CARMEN BY GEORGES BIZET.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 297, doi. 10.24193/subbmusica.2021.2.21
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THE OLD STYLE SONG IN THE LAND OF THE FORESTERS, HUNEDOARA. MELODIC TYPES WITH REFRAIN RESULTED FROM MELODIC INTERJECTIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 277, doi. 10.24193/subbmusica.2021.2.20
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JENŐ ÁDÁM'S CHURCH MUSIC COMPOSITIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 265, doi. 10.24193/subbmusica.2021.2.19
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THE ROLE OF THE HUNGARIAN ROMAN CATHOLIC CHURCH COMMUNITY SONG IN THE TRANSFORMATION PROCESS OF THE ARMENIAN LITURGICAL REPERTOIRE IN TRANSYLVANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 255, doi. 10.24193/subbmusica.2021.2.18
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REGIETHEATER - THE BIG CHALLENGE FOR THE OPERA OF OUR TIMES.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 179, doi. 10.24193/subbmusica.2021.2.12
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THE ROLE OF FACIAL EXPRESSIONS IN THE ART OF MUSICAL CONDUCTING.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 247, doi. 10.24193/subbmusica.2021.2.17
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BREATHING TECHNIQUES IN THE PARIS SINGING TREATISE (MÉTHODE DE CHANT, PARIS, 1803).
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 239, doi. 10.24193/subbmusica.2021.2.16
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J. G. TROMLITZ'S ARTICULATORY PHONETICS IN FLUTE SOUND FORMATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 225, doi. 10.24193/subbmusica.2021.2.15
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THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 213, doi. 10.24193/subbmusica.2021.2.14
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14
GENRE HYBRIDS IN THE SYMPHONICAL CREATIVITY OF Ye. PETRYCHENKO AS A REFLECTION OF TIME TRENDS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 193, doi. 10.24193/subbmusica.2021.2.13
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SYNCRETIC TRENDS IN CONTEMPORARY WESTERN EUROPEAN VOCAL AND CHORAL ART: THE CHALLENGE OF TODAY.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 157, doi. 10.24193/subbmusica.2021.2.11
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RETROSPECTIVE REVIEW OF THE DEVELOPMENT OF THE CONCEPTS OF CONSONANCE AND DISSONANCE: ON THE PROBLEM OF MUSICAL AND AESTHETIC AS WELL AS PHYSICAL AND MATHEMATICAL INTERPRETATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 133, doi. 10.24193/subbmusica.2021.2.10
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FRIENDSHIP OF WELL-KNOWN AND UNDESERVEDLY FORGOTTEN MASTERS IN LATE 19<sup>TH</sup> AND EARLY 20<sup>TH</sup> CENTURY RUSSIAN PIANO MUSIC. THE LIFE AND WORK OF MEDTNER, RACHMANINOFF, AND SCRIABIN.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 123, doi. 10.24193/subbmusica.2021.2.09
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INDIAN CULTURE AND MUSIC AS A SOURCE OF INSPIRATION FOR FRENCH OPERA COMPOSERS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 99, doi. 10.24193/subbmusica.2021.2.08
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FEATURES OF IRISH DANCE MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 89, doi. 10.24193/subbmusica.2021.2.07
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THE EVOLUTION OF ITALIAN MELODRAMA: FROM DONIZETTI TO VERDI.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 79, doi. 10.24193/subbmusica.2021.2.06
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21
GOLDEN ERA OF BAROQUE DANCE.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 69, doi. 10.24193/subbmusica.2021.2.05
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22
STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 49, doi. 10.24193/subbmusica.2021.2.04
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23
DIGITAL TRANSFORMATION TRENDS IN MUSIC TEACHING AND TRAINING SYSTEMS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 39, doi. 10.24193/subbmusica.2021.2.03
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"DON'T LET ME GO". A CASE STUDY ON MUSIC THERAPY IN EARLY-STAGE DEMENTIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 29, doi. 10.24193/subbmusica.2021.2.02
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25
ADRIAN POP - IN SEARCH OF A LONG LOST SMILE.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 9, doi. 10.24193/subbmusica.2021.2.01
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