AN EXCEPTIONAL EDITORIAL RELEASE: A TRIBUTE TO GYÖRGY LIGETI IN HIS NATIVE TRANSYLVANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 321
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Works matching IS 18444369 AND DT 2020 AND VI 65 AND IP 2
Results: 21
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JÁNOS JAGAMAS' FOLK SONG ARRANGEMENTS.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 307, doi. 10.24193/subbmusica.2020.2.20
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MAURICE RAVEL : LE TOMBEAU DE COUPERIN - PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 297, doi. 10.24193/subbmusica.2020.2.19
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THE SOUND OF INDIA IN MAURICE DELAGE'S QUATRE POÈMES HINDOUS.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 277, doi. 10.24193/subbmusica.2020.2.18
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5
FOLKLORE AND DIALECTICAL MATERIALISM. A CASE STUDY OF ETHNOMUSICOLOGICAL RESEARCH IN COMMUNIST ROMANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 259, doi. 10.24193/subbmusica.2020.2.17
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6
MILITARY SONGS IN THE NORTHERN PART OF THE TRANSYLVANIAN PLAIN.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 249, doi. 10.24193/subbmusica.2020.2.16
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MOURNING AND FUNERAL FOLK SONGS IN THE NORTHERN PART OF THE TRANSYLVANIAN PLAIN.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 237, doi. 10.24193/subbmusica.2020.2.15
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8
ARMENIAN MUSIC IN TRANSYLVANIA - THE MUSICAL HERITAGE OF THE CANTOR BÁLINT ÁKOS.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 225, doi. 10.24193/subbmusica.2020.2.14
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9
RELIGIOUS CHANTS - THE DIVERSITY OF CHURCH HYMNS TYPES.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 193, doi. 10.24193/subbmusica.2020.2.13
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ANTECEDENTS, AND DEVELOPMENT OF THE SACRED CHORAL CONCERTO IN RUSSIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 173, doi. 10.24193/subbmusica.2020.2.12
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11
CONTEMPORARY VOICES FROM EGER. A CROSS-SECTION FROM THE PIANO WORKS OF LÁSZLÓ KÁTAI.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 143, doi. 10.24193/subbmusica.2020.2.11
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12
GHEORGHE DIMA - SEITEN VON DER WERTVOLLEN HERMANNSTÄDTER MUSIKALISCHEN TÄTIGKEIT.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 129, doi. 10.24193/subbmusica.2020.2.10
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13
THE EVOLUTION AND MULTICULTURALITY OF THE OPERETTA GENRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 119, doi. 10.24193/subbmusica.2020.2.09
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14
ARVO PÄRT'S MUSIC: FACETS OF THE TINTINNABULI TECHNIQUE.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 109, doi. 10.24193/subbmusica.2020.2.08
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15
STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 97, doi. 10.24193/subbmusica.2020.2.07
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16
NEUROSCIENTIFIC CONNECTIONS BETWEEN SELF-MANAGEMENT STRATEGIES AND THE EXPOSURE TO MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 89, doi. 10.24193/subbmusica.2020.2.06
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17
DO ANDROIDS DREAM OF ELECTRIC SHEEP? or about THE SENSE OF CULTURAL NOSTALGIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 79, doi. 10.24193/subbmusica.2020.2.05
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18
THE HISTORY OF SECONDARY MUSIC EDUCATION IN TWO SIGNIFICANT INSTITUTIONS IN HUNGARY UP TO THE MIDDLE OF THE 20<sup>th</sup> CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 63, doi. 10.24193/subbmusica.2020.2.04
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TRENDS OF MANIFESTATION OF THE INCLUSIVE SCHOOL CULTURE IN THE CONTEXT OF MUSIC EDUCATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 51, doi. 10.24193/subbmusica.2020.2.03
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20
THE SOCIAL DIMENSIONS OF MUSIC EDUCATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 37, doi. 10.24193/subbmusica.2020.2.02
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21
THE NYÍREGYHÁZA MODEL: THE TEACHING OF TEACHING MUSIC / OF MAKING MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 9, doi. 10.24193/subbmusica.2020.2.01
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