SPLINTER(S) FOR VIOLIN.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 293, doi. 10.24193/subbmusica.2019.2.16
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- Article
Works matching IS 18444369 AND DT 2019 AND VI 64 AND IP 2
Results: 17
1
2
POLARIZATION FOR PIANO.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 287, doi. 10.24193/subbmusica.2019.2.15
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- Article
3
FISSURES FOR ENSEMBLE.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 261, doi. 10.24193/subbmusica.2019.2.14
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- Article
4
INTERPRETATIVE-ANALYTICAL HYPOSTASES IN "SEPT FRAGMENTS DE TRISTAN TZARA" FOR VOICE AND PIANO BY ADRIAN POP.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 229, doi. 10.24193/subbmusica.2019.2.13
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- Article
5
FIVE SKETCHES FOR PIANO. AN AVANT-GARDE WORK OF PÉTER VERMESY.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 215, doi. 10.24193/subbmusica.2019.2.12
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- Article
6
THE ENDRE ADY POEMS FEATURED WITHIN LÁSZLÓ HALMOS' OEUVRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 201, doi. 10.24193/subbmusica.2019.2.11
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- Article
7
THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 189, doi. 10.24193/subbmusica.2019.2.10
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- Article
8
COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN'S AND JOHN FIELD'S NOCTURNES: PART II -- CONTINUE FROM PREVIOUS ISSUE.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 161, doi. 10.24193/subbmusica.2019.2.09
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- Article
9
A STUDY OF THE EFFICIENCY OF MUSIC THERAPY, ART AND PLAY THERAPY ON HOSPITALIZED CHILDREN DIAGNOSED WITH CHRONIC ILLNESSES.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 147, doi. 10.24193/subbmusica.2019.2.08
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- Article
10
THE INFLUENCE OF THE HRYSANTIC REFORM ON THE RELIGIOUS CHURCH MUSIC IN TRANSYLVANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 121, doi. 10.24193/subbmusica.2019.2.07
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11
HERKUNFT UND ENTWICKLUNG DES KIRCHLICHEN CHORGESANGS IN DEN RUMÄNISCHEN LÄNDERN UND SIEBENBÜRGEN. MUSIKOLOGISCHE PERSPEKTIVEN.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 101, doi. 10.24193/subbmusica.2019.2.06
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- Article
12
THE MOST SIGNIFICANT MUSICAL INFLUENCES ON ROMANIAN COMPOSERS DURING THE STALINIZATION YEARS.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 81, doi. 10.24193/subbmusica.2019.2.05
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13
CONTEMPORARY AND TRADITIONAL PATTERNS IN BRUNO MADERNA'S VOCAL WORKS.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 67, doi. 10.24193/subbmusica.2019.2.04
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- Article
14
THE REALITY OF THE SUBSTANCE'S PARALOGISM IN VIOLIN MUSIC, THE „CHACONNE IN G MINOR" CASE. A PHENOMENOLOGIC CIRCULARITY ON THE IDEA OF ‚BEAUTY' IN THE SOUNDS -- THE LINE BACH -- VITALI - HEIFETZ.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 45, doi. 10.24193/subbmusica.2019.2.03
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- Article
15
GETTING ACQUAINTED WITH THE SOUND OF THE PIANO IN THE HUNGARIAN 5<sup>TH</sup> GRADE ELEMENTARY SCHOOL MUSIC LESSONS DURING THE 1960.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 31, doi. 10.24193/subbmusica.2019.2.02
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- Article
16
FEMALE CHARACTERS IN SERAGLIO GENRE: CHANGING SOCIAL MILIEU AND PUBLIC SPACE FOR WOMAN DURING THE EIGHTEENTH CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 13, doi. 10.24193/subbmusica.2019.2.01
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17
LAUDATIO.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 9
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