THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 269, doi. 10.24193/subbmusica.2017.1.19
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- Article
Works matching IS 18444369 AND DT 2017 AND VI 62 AND IP 1
Results: 23
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RECLAIMING BUKOVINA'S MUSICAL FOLKLORE HERITAGE COLLECTED BY ALEXANDRU VOEVIDCA AT THE BEGINNING OF THE 20<sup>TH</sup> CENTURY FOR THE CONTEMPORARY.
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- 2017
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- Publication type:
- Book Review
3
VALENTIN TIMARU - ON MUSIC AND BEAUTY IN ESSAYISTIC STYLE.
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- 2017
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- Publication type:
- Book Review
4
ANALYTICAL VIEW ON THE LYRICAL ORATORIO CÂNTECE DE VREMUIRE (SONGS OF CHANGE) BY VALENTIN TIMARU.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 279, doi. 10.24193/subbmusica.2017.1.20
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- Publication type:
- Article
5
MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER'S POINT OF VIEW.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 259, doi. 10.24193/subbmusica.2017.1.18
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- Article
6
ZOLTÁN GÁRDONYI'S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND ORGAN INSPIRED BY THE TUNE OF THE HYMN ENTITLED „AZ ÉN IDŐM, MINT A SZÉP NYÁR" ("MY TIME IS LIKE THE SHINY SUMMER").
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 245, doi. 10.24193/subbmusica.2017.1.17
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- Publication type:
- Article
7
THE CONDUCTING TECHNIQUE - AN INSTRUMENT USED TO SOLVE THE ISSUE OF CONDUCTING CUTOFFS AND THE "UNA BATTUTA" TIME BEATING TECHNIQUE.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 135, doi. 10.24193/subbmusica.2017.1.10
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- Publication type:
- Article
8
RICHARD STRAUSS' FOREWORDS TO INTERMEZZO.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 233, doi. 10.24193/subbmusica.2017.1.16
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- Publication type:
- Article
9
IV. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI'S OPERAS. GIOVANNA'S EVENING PRAYER FROM VERDI'S GIOVANNA D'ARCO (PROLOGUE, SCENE 2).
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 203, doi. 10.24193/subbmusica.2017.1.14
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- Publication type:
- Article
10
VARIATION FORM IN MOZART'S PIANO WORKS.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 185, doi. 10.24193/subbmusica.2017.1.13
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- Publication type:
- Article
11
THE ROMA MUSICIANS OF MAGYARPALATKA AS PRESERVERS OF TRADITIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 155, doi. 10.24193/subbmusica.2017.1.12
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- Publication type:
- Article
12
A VALUABLE FOLK MUSICIAN FROM FUNDU MOLDOVEI - THE SHEPHERD'S PIPE PLAYER LIVIU ŢARAN.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 143, doi. 10.24193/subbmusica.2017.1.11
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- Publication type:
- Article
13
KONNOTATIONEN DES HEILIGEN IN DER ERÖFFNENDEN STURMSZENE VON GIUSEPPE VERDI'S OTELLO.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 219, doi. 10.24193/subbmusica.2017.1.15
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- Publication type:
- Article
14
BEWEGLICHE KLAVIERSTUNDE. DIE INTEGRATION DER BEWEGUNG IN DEN KLAVIERUNTERRICHT.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 111, doi. 10.24193/subbmusica.2017.1.09
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- Publication type:
- Article
15
CHAMBER MUSIC INITIATIVE IN CHORAL SINGING AND ENSEMBLE WORK IN ERASMUS IP COOPERATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 105, doi. 10.24193/subbmusica.2017.1.08
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- Publication type:
- Article
16
ELEMENTS OF CHRISTIAN SPIRITUALITY IN THE VOCAL MUSIC OF ROMANIAN COMPOSERS (SOLOISTS REPERTOIRE FOR SOPRANO, CHORAL AND SYMPHONIC VOCAL REPERTOIRE - THE SECOND HALF OF THE 20<sup>th</sup> CENTURY AND THE BEGINNING OF THE 21<sup>st</sup> CENTURY).
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 95, doi. 10.24193/subbmusica.2017.1.07
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- Publication type:
- Article
17
MUSIC AND SPACE.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 82, doi. 10.24193/subbmusica.2017.1.06
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- Publication type:
- Article
18
RAVEL ON (HIS) IMPRESSIONISM.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 77, doi. 10.24193/subbmusica.2017.1.05
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- Publication type:
- Article
19
WERKSAUFLISTUNG¹ DER KOLONICS ORGELN IN SIEBENBÜRGEN - TEIL 1 -.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 25, doi. 10.24193/subbmusica.2017.1.02
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- Publication type:
- Article
20
A TOUR AMONG THE MUSICIANS OF THE BIBLE - A STUDY DEDICATED TO DR. KIRKÓSA JÚLIA -.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 13, doi. 10.24193/subbmusica.2017.1.01
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- Article
21
A 70 ÉVES DR. KÖPECZI KIRKÓSA JÚLIA MŰVÉSZNŐ KÖSZÖNTÉSE.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 7
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- Publication type:
- Article
22
MESSAGES OF NASCENT PICTURES IN PROMISE OF A REMEMBRANCE. MUSIC EVOCATIONS FOR THE HERMENEUTICS OF DOBRIBÁN EMIL'S WORKS.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 63, doi. 10.24193/subbmusica.2017.1.04
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- Publication type:
- Article
23
KASTRATEN, DIE PRIMI UOMINI DER EUROPÄISCHEN OPERNBÜHNEN.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 49, doi. 10.24193/subbmusica.2017.1.03
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- Article