GYAKORLATI TANÁCSOK KARVEZETŐKNEK.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
Works matching IS 18444369 AND DT 2016 AND VI 61 AND IP 1
Results: 18
1
2
CHORAL CONDUCTING TREATISE - THE BASES OF CONDUCTING TECHNIQUE.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
3
THE QUOTATION IN TIBERIU OLAH'S SINFONIA GIOCOSA (!?).
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 265
- By:
- Publication type:
- Article
4
THE ORCHESTRAL PLANE IN THE OPERA ALEXANDRU LĂPUŞNEANU BY GHEORGHE MUSTEA.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 257
- By:
- Publication type:
- Article
5
LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN (MASQUES OP. 34) DE KAROL SZYMANOWSKI.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 225
- By:
- Publication type:
- Article
6
III. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI'S OPERAS. LUCREZIA'S CAVATINA - TU AL CUI SGUARDO ONNIPOSSENTE (ACT I, SCENE 2) FROM VERDI'S I DUE FOSCARI.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 211
- By:
- Publication type:
- Article
7
EXPLORING THE ELEMENTS OF ATTITUDE TO MUSIC AMONG STUDENTS OF TEACHER TRAINING.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 183
- By:
- Publication type:
- Article
8
ANTON PANN'S HEIRMOLOGHION. ARGUMENTS FOR IDENTIFYING THE SOURCE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 171
- By:
- Publication type:
- Article
9
MUSIC HISTORY - MORE THAN AN EDUCATIONAL FIELD, A WAY OF PERSONAL DEVELOPMENT.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 157
- By:
- Publication type:
- Article
10
THE CONDUCTOR - BETWEEN HEARING AND LISTENING.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 153
- By:
- Publication type:
- Article
11
THE CONDUCTING TECHNIQUE - AN INSTRUMENT USED TO SOLVE THE FERMATA ISSUE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 143
- By:
- Publication type:
- Article
12
PROFESSIONAL RECORDING OF SPEECH SOUND IN LOW-BUDGET FILMMAKING.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 107
- By:
- Publication type:
- Article
13
LE MODÈLE DU PAGE - PERSONNAGES ET CONTEXTES DANS LE THÉÂTRE LYRIQUE. LE CAS DE "CHERUBIN D'AMORE...".
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 89
- By:
- Publication type:
- Article
14
TIME IN MUSICAL ART: CATAPHATIC AND APOPHATIC ASPECTS.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 83
- By:
- Publication type:
- Article
15
LISZT - PROGRAMATIC IDEALS: HARMONIES POÉTIQUES ET RÉLIGIEUSES.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 55
- By:
- Publication type:
- Article
16
ORGANS OF KALOTASZEG.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 41
- By:
- Publication type:
- Article
17
DER ERSTE SCHWELLKASTEN, DER NICHT DER ERSTE WAR.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 1, p. 17
- By:
- Publication type:
- Article
18
ON THE PERFORMANCE OF ELECTRONIC MUSIC - INTERVIEW WITH COMPOSER ADRIAN BORZA.
- Published in:
- 2016
- By:
- Publication type:
- Interview