Works matching IS 18422799 AND DT 2019 AND VI 64 AND IP 2
Results: 20
A qui le tour or How to Mourn with Your Body and Henrietta Lacks - A Theatrical Take on Practical Ethics.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 245
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Notre Petite Antarctique.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 241
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Du théâtre en(tre) exil et questionnements.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 235
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Unwritten Truths.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 229
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Mapping Inner and Outer Theater Histories.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 225
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A Field Defining Study.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 221
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Morning of the Actresses.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 217
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Theater Criticism in Search of Lost Identity. Stories of Professionalization.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 213
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Journey and Immersion. About a Poetics of Sensory in Contemporary Theatre.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 193, doi. 10.24193/subbdrama.2019.2.12
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For a Revaluation of Genre Theory in Contemporary Drama.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 181, doi. 10.24193/subbdrama.2019.2.11
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Cognitive Schemata and Meaningful Strategies in Adapting Ian McEwan's Novel, Atonement.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 167, doi. 10.24193/subbdrama.2019.2.10
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The Vision of the American History in Paul Thomas Anderson's Filmography.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 153, doi. 10.24193/subbdrama.2019.2.09
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Recreating Realities in Horror Films: the Found Footage Effect.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 145, doi. 10.24193/subbdrama.2019.2.08
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Traces of Old Visual Patterns in the Romanian Modern Painting.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 129, doi. 10.24193/subbdrama.2019.2.07
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Mnemonic Cartography of Violence.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 119, doi. 10.24193/subbdrama.2019.2.06
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Revisiting Great Soviet Symbols of World War II. The Young Guard Now and Then.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 101, doi. 10.24193/subbdrama.2019.2.05
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Filmic Revaluation of Political Rituals' Conflict: Hear My Cry by Maciej Drygas.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 81, doi. 10.24193/subbdrama.2019.2.04
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Teatrul Journal, between Norms and Emancipation. The Years of the "Thaw" and Those of the New "Freeze".
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 51, doi. 10.24193/subbdrama.2019.2.03
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Critical Revaluation of French Operetta: La petite mariée (1875).
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 33, doi. 10.24193/subbdrama.2019.2.02
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100 de ani (100 Years) by I.L. Caragiale: Recycling the Image of the Nation.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 11, doi. 10.24193/subbdrama.2019.2.01
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