Works matching IS 18243967 AND DT 2018 AND VI 31 AND IP 2
Results: 13
Of Trees and Flipbooks: Multi-media Wounded Passages in William Kentridge's Second-hand Reading.
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- Textus, 2018, v. 31, n. 2, p. 193
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- Article
Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative.
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- Textus, 2018, v. 31, n. 2, p. 177
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- Article
Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity.
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- Textus, 2018, v. 31, n. 2, p. 163
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'Talking Pictures': Digital Storytelling and Performance in Heritage Communication.
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- Textus, 2018, v. 31, n. 2, p. 145
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- Article
Tim Crouch's 'Transplan': ENGLAND's Performing Narrative in Art Galleries.
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- Textus, 2018, v. 31, n. 2, p. 131
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- Article
Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information.
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- Textus, 2018, v. 31, n. 2, p. 117
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- Article
What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'.
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- Textus, 2018, v. 31, n. 2, p. 103
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- Article
Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling.
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- Textus, 2018, v. 31, n. 2, p. 89
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- Article
Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach.
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- Textus, 2018, v. 31, n. 2, p. 75
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- Article
From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show.
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- Textus, 2018, v. 31, n. 2, p. 59
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- Article
Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance.
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- Textus, 2018, v. 31, n. 2, p. 41
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- Article
Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre.
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- Textus, 2018, v. 31, n. 2, p. 23
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- Article
Introduction: Performing Narrative across Media.
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- Textus, 2018, v. 31, n. 2, p. 7
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- Article