Afterword: Romantic Renaissances.Published in:Textus, 2011, v. 24, n. 1, p. 189By:Elam, KeirPublication type:Article
Melodrama Gets to the Heart of Shakespeare: The "Ogreish" King Richard III of George Frederick Cooke.Published in:2011By:Caputo, NicolettaPublication type:Essay
Romantic Appropriation of Shakespeare: Coriolanus, Henry V, King John, and the National Identity.Published in:2011By:Cioni, FernandoPublication type:Essay
Shakespeare, Fuseli, and Problems of Visual Representation in Romantic Culture.Published in:2011By:Liberto, FabioPublication type:Essay
A Voice among the First Romantic Poets: John Armstrong and the Revisitation of Shakespeare's Plays in Sonnet Form.Published in:2011By:Smecca, Paola DanielaPublication type:Essay
Shakespeare, Milton, and the Romantic Imagination.Published in:2011By:Marrapodi, MichelePublication type:Essay
"Something new in the annals of great sieges": Byron's The Deformed Transformed and Benvenuto Cellini's Vita.Published in:2011By:Pomarè, CarlaPublication type:Essay
Stopping by Woods: "Mutilated Bowers" and Enchanted Forests in Wordsworth and Tasso.Published in:2011By:Ferreccio, GiulianaPublication type:Essay
Nationalizing the Renaissance: Cultural Identity and the Foreign in Hazlitt's Lectures on the Age of Elizabeth.Published in:2011By:Saglia, DiegoPublication type:Essay
INTRODUCTION.Published in:Textus, 2011, v. 24, n. 1, p. 5By:Crisafulli, Lilla Maria;Curran, StuartPublication type:Article