Zapomenutý průkopnický čin: Senekova tragédie Agamemnon v překladu Václava Renče.
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- Theatralia, 2024, v. 27, p. 9, doi. 10.5817/TY2024-S-2
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Works matching IS 1803845X AND DT 2024 AND VI 27
Results: 43
1
2
„Čeho se vítěz může bát?“.
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- Theatralia, 2024, v. 27, p. 7, doi. 10.5817/TY2024-S-1
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3
Scéna.
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- Theatralia, 2024, v. 27, p. 49, doi. 10.5817/TY2024-S-4
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4
Druhý mezizpěv sboru.
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- Theatralia, 2024, v. 27, p. 72, doi. 10.5817/TY2024-S-4
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5
V hlavní roli Leopold II. Lažanský.
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- Theatralia, 2024, v. 27, n. 2, p. 104, doi. 10.5817/TY2024-2-11
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- Article
6
Unveiling Trauma Through Literature: Key Insights and Theatrical Perspectives.
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- Theatralia, 2024, v. 27, n. 2, p. 100, doi. 10.5817/TY2024-2-10
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- Article
7
Demythicised Images by Romeo Castellucci.
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- Theatralia, 2024, v. 27, n. 2, p. 94, doi. 10.5817/TY2024-2-9
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- Article
8
A Pair of Maiden Worlds Unconquered.
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- Theatralia, 2024, v. 27, n. 2, p. 91, doi. 10.5817/TY2024-2-8
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- Article
9
Archaeologists from the Future: the Billennium in Budapest.
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- Theatralia, 2024, v. 27, n. 2, p. 87, doi. 10.5817/TY2024-2-7
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- Article
10
Immersed in Culture: Designing a Collaborative Virtual Reality Theatre Platform for Mandarin Learners.
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- Theatralia, 2024, v. 27, n. 2, p. 81, doi. 10.5817/TY2024-2-6
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- Article
11
Bytí v minulosti: vojenský reenactment perspektivou divadelních a performančních studií.
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- Theatralia, 2024, v. 27, n. 2, p. 45, doi. 10.5817/TY2024-2-4
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- Article
12
Palace protégée and Pop-star: Elsa Enkel in Greece, 1913–1933.
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- Theatralia, 2024, v. 27, n. 2, p. 64, doi. 10.5817/TY2024-2-5
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- Article
13
The Corporeal and the Intangible. Puppet Theatre in the Digital Age.
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- Theatralia, 2024, v. 27, n. 2, p. 28, doi. 10.5817/TY2024-2-3
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- Article
14
How the Digital Age Has Transformed the Landscape of Contemporary Russophone Dramaturgy: Tools, Methods of Presentation, Reception.
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- Theatralia, 2024, v. 27, n. 2, p. 13, doi. 10.5817/TY2024-2-2
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15
Theatre in the Digital Age.
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- Theatralia, 2024, v. 27, n. 2, p. 7, doi. 10.5817/TY2024-2-1
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16
Obrazová příloha.
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- Theatralia, 2024, v. 27, p. 92, doi. 10.5817/TY2024-S-4
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- Article
17
Závěrečná poznámka.
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- Theatralia, 2024, v. 27, p. 89, doi. 10.5817/TY2024-S-5
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18
Třetí scéna.
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- Theatralia, 2024, v. 27, p. 78, doi. 10.5817/TY2024-S-4
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19
Osoby.
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- Theatralia, 2024, v. 27, p. 49, doi. 10.5817/TY2024-S-4
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- Article
20
Ediční poznámka.
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- Theatralia, 2024, v. 27, p. 45, doi. 10.5817/TY2024-S-3
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- Article
21
Druhá scéna.
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- Theatralia, 2024, v. 27, p. 65, doi. 10.5817/TY2024-S-4
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- Article
22
První mezizpěv sboru.
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- Theatralia, 2024, v. 27, p. 62, doi. 10.5817/TY2024-S-4
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- Article
23
První scéna.
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- Theatralia, 2024, v. 27, p. 54, doi. 10.5817/TY2024-S-4
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24
Vstupní píseň sboru.
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- Theatralia, 2024, v. 27, p. 53, doi. 10.5817/TY2024-S-4
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25
Prolog.
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- Theatralia, 2024, v. 27, p. 51, doi. 10.5817/TY2024-S-4
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26
Předpoklady děje.
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- Theatralia, 2024, v. 27, p. 50, doi. 10.5817/TY2024-S-4
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27
Costume Design for Public Space: A View from Complejo Conejo, Chilean Performance Collective.
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- Theatralia, 2024, v. 27, n. 1, p. 303, doi. 10.5817/TY2024-1-17
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- Article
28
Transformation, Repair, and Change! Scenographic Strategies in Teaching Socially-Engaged Performance.
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- Theatralia, 2024, v. 27, n. 1, p. 294, doi. 10.5817/TY2024-1-16
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29
The Late Antroposcene Findings: Rethink/Recycling the Theatre Props. Bulgarian Participation in PQ 2023.
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- Theatralia, 2024, v. 27, n. 1, p. 287, doi. 10.5817/TY2024-1-15
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30
Fragments Exhibition at PQ 2023.
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- Theatralia, 2024, v. 27, n. 1, p. 279, doi. 10.5817/TY2024-1-14
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31
Acts of Assembly: The Performance Space Exhibition at PQ 2023.
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- Theatralia, 2024, v. 27, n. 1, p. 271, doi. 10.5817/TY2024-1-13
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32
And so the World Bleeped, Blooped, Buzzed, and Glitched. Now Hear This.
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- Theatralia, 2024, v. 27, n. 1, p. 267, doi. 10.5817/TY2024-1-12
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33
Curating amidst Compounding Crises: The Lebanese Contribution to the 2023 Prague Quadrennial of Performance Design and Space.
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- Theatralia, 2024, v. 27, n. 1, p. 236, doi. 10.5817/TY2024-1-11
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34
Ethical Scenography in the North American Cluster Programme at the Prague Quadrennial.
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- Theatralia, 2024, v. 27, n. 1, p. 215, doi. 10.5817/TY2024-1-10
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- Article
35
Ohýbání času: Dramaturgické principy v projektovém způsobu práce Elišky Brtnické a kolektivu.
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- Theatralia, 2024, v. 27, n. 1, p. 194, doi. 10.5817/TY2024-1-9
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- Article
36
Radio and Audiobook Acting. Comparative Analysis of Two Audio Productions of The Master and Margarita.
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- Theatralia, 2024, v. 27, n. 1, p. 167, doi. 10.5817/TY2024-1-8
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37
Experiencing the Infra-Ordinary: The Power of Imaginative Spaces.
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- Theatralia, 2024, v. 27, n. 1, p. 112, doi. 10.5817/TY2024-1-6
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38
The Theatrical Fate of Shakespeare’s Great Tragedies in Hungary: Metadata and Their Value.
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- Theatralia, 2024, v. 27, n. 1, p. 145, doi. 10.5817/TY2024-1-7
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- Article
39
Scenographic contraptions : designing uncertainty and orchestrating error for the generation of participatory scenography.
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- Theatralia, 2024, v. 27, n. 1, p. 79, doi. 10.5817/TY2024-1-5
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40
Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo.
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- Theatralia, 2024, v. 27, n. 1, p. 57, doi. 10.5817/TY2024-1-4
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41
Expanded Scenography from the Global South.
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- Theatralia, 2024, v. 27, n. 1, p. 35, doi. 10.5817/TY2024-1-3
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42
Scenography as a Living Transformator of the Theatrical Space: The ‘On Stage’ Spatialities of Giorgos Patsas and Dionisis Fotopoulos.
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- Theatralia, 2024, v. 27, n. 1, p. 13, doi. 10.5817/TY2024-1-2
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43
Scenography: A Motley Stream of Colours, Forms, and Layers.
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- Theatralia, 2024, v. 27, n. 1, p. 7, doi. 10.5817/TY2024-1-1
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- Article