Works matching IS 1803845X AND DT 2022 AND VI 25 AND IP 1
Results: 15
Lola Skrbková (1902–1978).
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- Theatralia, 2022, v. 25, n. 1, p. 189, doi. 10.5817/TY2022–1-15
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- Article
To Provide, Not to Direct: Perceiving from the Position of Fragility.
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- Theatralia, 2022, v. 25, n. 1, p. 185, doi. 10.5817/TY2022–1-14
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Konstanty, proměny a inovace tanečního vzdělávání v České republice.
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- Theatralia, 2022, v. 25, n. 1, p. 177, doi. 10.5817/TY2022–1-13
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Meaning-Making in Contemporary Operatic Performance.
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- Theatralia, 2022, v. 25, n. 1, p. 172, doi. 10.5817/TY2022–1-12
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Translating the Theatre Act.
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- Theatralia, 2022, v. 25, n. 1, p. 166, doi. 10.5817/TY2022–1-11
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A Different Causality and a Different Reality. Analysis of the Absurd in French Dada and Pre-Surrealist Theatre.
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- Theatralia, 2022, v. 25, n. 1, p. 163, doi. 10.5817/TY2022–1-10
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- Article
Central-European Theatre Avant-garde: Reclamation or Reimagination.
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- Theatralia, 2022, v. 25, n. 1, p. 149, doi. 10.5817/TY2022-1-9
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- Article
Historiography of the Avant-gardes, Fifty-Year Witnessing of Research Dedicated to the Avant-gardes in France.
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- Theatralia, 2022, v. 25, n. 1, p. 137, doi. 10.5817/TY2022-1-8
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Technicism in the Ukrainian Avant-garde Theatre: A Clash of Meanings and Forms.
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- Theatralia, 2022, v. 25, n. 1, p. 27, doi. 10.5817/TY2022-1-3
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André Breton on French and Czech Stages.
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- Theatralia, 2022, v. 25, n. 1, p. 87, doi. 10.5817/TY2022–1-6
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The Slovene Historical Avant-garde and Europe in Crisis.
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- Theatralia, 2022, v. 25, n. 1, p. 65, doi. 10.5817/TY2022–1-5
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Alexandra Exter Theatre and Ukrainian Scenography in the 1910s and 1920s.
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- Theatralia, 2022, v. 25, n. 1, p. 44, doi. 10.5817/TY2022-1-4
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Between Brueghel, Surrealism, and New Realism: Wachsman’s Stage Design for Heavy Barbara.
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- Theatralia, 2022, v. 25, n. 1, p. 109, doi. 10.5817/TY2022-1-7
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The historical avant-garde in the European context.
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- Theatralia, 2022, v. 25, n. 1, p. 7, doi. 10.5817/TY2022-1-1
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- Article
Western European Avant-garde Theatre and Puppetry: A Reappraisal.
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- Theatralia, 2022, v. 25, n. 1, p. 13, doi. 10.5817/TY2022–1-2
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- Article