The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions.
- Published in:
- Theatralia, 2021, v. 24, n. 1, p. 295, doi. 10.5817/TY2021–1-24
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- Publication type:
- Article
Works matching IS 1803845X AND DT 2021 AND VI 24 AND IP 1
Results: 28
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William Hogarth (1697–1764) and Book Illustration I: Hudibras, Quixote and the Littlecote House Murals.
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- Theatralia, 2021, v. 24, n. 1, p. 313, doi. 10.5817/TY2021–1-28
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- Article
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In Search for New Realities in Post-Pandemic Dystopia.
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- Theatralia, 2021, v. 24, n. 1, p. 309, doi. 10.5817/TY2021–1-27
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- Article
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Revisiting Restoration Theatre through Transnational Interactions.
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- Theatralia, 2021, v. 24, n. 1, p. 303, doi. 10.5817/TY2021–1-26
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- Article
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Behn’s The Emperor of the Moon in 2020.
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- Theatralia, 2021, v. 24, n. 1, p. 299, doi. 10.5817/TY2021–1-25
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- Article
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Autorsky rozeklaný portrét dvojčat.
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- Theatralia, 2021, v. 24, n. 1, p. 291, doi. 10.5817/TY2021–1-23
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- Article
7
Vzácný moment v českém tanečněvědném diskurzu.
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- Theatralia, 2021, v. 24, n. 1, p. 287, doi. 10.5817/TY2021–1-22
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- Article
8
Poetika Osvobozeného v opavském výkřiku.
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- Theatralia, 2021, v. 24, n. 1, p. 284, doi. 10.5817/TY2021–1-21
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- Article
9
When Audience in a Theatre Used to Be a Natural Thing.
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- Theatralia, 2021, v. 24, n. 1, p. 279, doi. 10.5817/TY2021–1-20
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- Article
10
Restoration Theatre, Indirect Translation and the Canon: Settle’s Guarini.
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- Theatralia, 2021, v. 24, n. 1, p. 34, doi. 10.5817/TY2021–1-3
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- Article
11
The “Scaene of Elysium”: Painters, Plaintiffs and Paradise in John Dryden’s Tyrannick Love (1669).
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- Theatralia, 2021, v. 24, n. 1, p. 11, doi. 10.5817/TY2021-1-2
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- Article
12
Editorial.
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- Theatralia, 2021, v. 24, n. 1, p. 7, doi. 10.5817/TY2021-1-1
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13
Shakespeare’s Treasure Trove of Italian Tales.
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- Theatralia, 2021, v. 24, n. 1, p. 274, doi. 10.5817/TY2021–1-19
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- Article
14
Notes on the New Edition of Marcello’s Il teatro alla moda.
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- Theatralia, 2021, v. 24, n. 1, p. 271, doi. 10.5817/TY2021–1-18
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- Article
15
Conceptual Metaphor Theory Cannot be Just Conceptual.
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- Theatralia, 2021, v. 24, n. 1, p. 267, doi. 10.5817/TY2021–1-17
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- Article
16
Enacting the Bible in Medieval and Early Modern Drama.
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- Theatralia, 2021, v. 24, n. 1, p. 263, doi. 10.5817/TY2021-1-16
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- Article
17
“Performance Can Reveal Paths Forward”: Interview with Amanda Eubanks Winkler.
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- Theatralia, 2021, v. 24, n. 1, p. 255, doi. 10.5817/TY2021–1-15
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- Article
18
Frank Wollman – dramatický text ako intencionálna danosť.
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- Theatralia, 2021, v. 24, n. 1, p. 240, doi. 10.5817/TY2021–1-14
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- Article
19
Rozhlasový režisér Josef Henke.
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- Theatralia, 2021, v. 24, n. 1, p. 216, doi. 10.5817/TY2021–1-13
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- Article
20
Od sociálně-demokratické spirituality k socialistickému realismu: Koncept lidovosti v myšlení Jindřicha Honzla o divadle.
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- Theatralia, 2021, v. 24, n. 1, p. 188, doi. 10.5817/TY2021–1-12
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- Article
21
Od smutného Pierota k pyšnému vezírovi aneb Honzlovy České písně kramářské.
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- Theatralia, 2021, v. 24, n. 1, p. 147, doi. 10.5817/TY2021–1-11
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- Article
22
Polish Translations of Restoration Comedy in Early Communist Period: The Cross-Section of Ideology and Academy.
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- Theatralia, 2021, v. 24, n. 1, p. 136, doi. 10.5817/TY2021–1-10
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- Article
23
Address Pronouns Revisited: A Case of Theatre and Translation Pragmatics.
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- Theatralia, 2021, v. 24, n. 1, p. 119, doi. 10.5817/TY2021–1-9
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- Article
24
Translation and Performance Cultures: Spanish Drama and Restoration England.
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- Theatralia, 2021, v. 24, n. 1, p. 101, doi. 10.5817/TY2021–1-8
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- Article
25
Restored and De-Restored: Killing off Garrick in John Philip Kemble’s King Lear.
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- Theatralia, 2021, v. 24, n. 1, p. 92, doi. 10.5817/TY2021–1-7
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- Article
26
Captain Macheath’s Execution Lament in The Beggar’s Opera.
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- Theatralia, 2021, v. 24, n. 1, p. 78, doi. 10.5817/TY2021-1-6
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- Article
27
“This may appear unmanly Tenderness”. Homosocial Bonds and (Un)ruly Women in George Granville’s The Jew of Venice (1701).
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- Theatralia, 2021, v. 24, n. 1, p. 61, doi. 10.5817/TY2021–1-5
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- Article
28
“With Old Plays You Have So Long Been Cloyed”: James Shirley’s Influence on Aphra Behn.
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- Theatralia, 2021, v. 24, n. 1, p. 43, doi. 10.5817/TY2021-1-4
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- Article