'Dramatic tone' as the emotional core of a screenplay: The case of The Diving Bell and the Butterfly (2007).
- Published in:
- Journal of Screenwriting, 2017, v. 8, n. 1, p. 67, doi. 10.1386/josc.8.1.67_1
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- Article
Works matching IS 17597137 AND DT 2017 AND VI 8 AND IP 1
Results: 8
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Script as a hypothesis: Scriptwriting for documentary film.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 55, doi. 10.1386/josc.8.1.55_1
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- Article
3
Film in words/words in pictures: Ekphrasis modulations in Peter Handke and Wim Wenders' cinematic collaborations.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 83, doi. 10.1386/josc.8.1.83_1
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- Article
4
Character over concept: Writing dialogue in search of story.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 39, doi. 10.1386/josc.8.1.39_1
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- Article
5
Expanding the dialogue: The producer as part of the creative triangle.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 23, doi. 10.1386/josc.8.1.23_1
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- Article
6
Reviews.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 99, doi. 10.1386/josc.8.1.99_5
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- Article
7
Storylining engagement with repulsive antiheroes. Towards a cognitive poetics of TV serial drama narrative: The case of Gomorrah - The Series.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 5, doi. 10.1386/josc.8.1.5_1
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- Article
8
Editorial.
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- Journal of Screenwriting, 2017, v. 8, n. 1, p. 3, doi. 10.1386/josc.8.1.3_2
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- Article