Czechoslovak screenwriting discourse and cultural transfer between 1948 and 1954: The influence of Soviet manuals.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 351, doi. 10.1386/josc.7.3.351_1
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- Article
Works matching IS 17597137 AND DT 2016 AND VI 7 AND IP 3
Results: 9
1
2
The screenplay and the spectator: Exploring audience identification in narrative structure.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 319, doi. 10.1386/josc.7.3.319_1
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- Article
3
Text and performance: What does a screenplay do?
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 245, doi. 10.1386/josc.7.3.245_2
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- Article
4
Scenario writers and scenario readers in the Golden Age of Japanese cinema.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 285, doi. 10.1386/josc.7.3.285_1
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- Article
5
The universe is expanding.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 271, doi. 10.1386/josc.7.3.271_3
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- Article
6
The Pleistocene protagonist: An evolutionary framework for the analysis of film protagonists.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 331, doi. 10.1386/josc.7.3.331_1
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- Article
7
Sculptors and plumbers: The writer and television.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 255, doi. 10.1386/josc.7.3.255_3
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- Article
8
Production design as a storytelling tool in the writing of the Danish TV drama series The Legacy.
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- Journal of Screenwriting, 2016, v. 7, n. 3, p. 299, doi. 10.1386/josc.7.3.299_1
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- Article
9
Reviews.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 3, p. 371, doi. 10.1386/josc.7.3.371_5
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- Article