The Social Network screenplay: Adaptation as (re-)interpretation and (re-)creation.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 1, p. 29, doi. 10.1386/josc.7.1.29_1
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- Article
Works matching IS 17597137 AND DT 2016 AND VI 7 AND IP 1
Results: 9
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From stageplay to screenplay to film - tragic to melodramatic: The case of The Broken Circle Breakdown.
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- Journal of Screenwriting, 2016, v. 7, n. 1, p. 99, doi. 10.1386/josc.7.1.99_1
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- Article
3
Lights! Camera! Author! Authorship as Hollywood performance.
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- Journal of Screenwriting, 2016, v. 7, n. 1, p. 113, doi. 10.1386/josc.7.1.113_1
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- Article
4
Batman, screen adaptation and chaos - what the archive tells us.
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- Journal of Screenwriting, 2016, v. 7, n. 1, p. 45, doi. 10.1386/josc.7.1.45_1
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- Article
5
Editorial Thanks.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 1, p. 3, doi. 10.1386/josc.7.1.3_2
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- Article
6
The Rosie Project: Discussions with Graeme Simsion on reverse adaptation.
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- Journal of Screenwriting, 2016, v. 7, n. 1, p. 83, doi. 10.1386/josc.7.1.83_1
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- Article
7
Screenwriting, adaptation and the screen idea.
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- Journal of Screenwriting, 2016, v. 7, n. 1, p. 5, doi. 10.1386/josc.7.1.5_2
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- Article
8
Adaptation studies through screenwriting studies: Transitionality and the adapted screenplay.
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- Journal of Screenwriting, 2016, v. 7, n. 1, p. 11, doi. 10.1386/josc.7.1.11_1
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- Article
9
Jonathan Myerson's The Canterbury Tales: The screenwriting sovereignty of animation.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 1, p. 65, doi. 10.1386/josc.7.1.65_1
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- Publication type:
- Article