Ettore Romagnoli, rievocatore of ancient Greek drama.
- Published in:
- Classical Receptions Journal, 2024, v. 16, n. 1, p. 56, doi. 10.1093/crj/clad029
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- Article
Works matching IS 17595134 AND DT 2024 AND VI 16 AND IP 1
Results: 7
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Greek theatre, electric lights, and the plumes of locomotives: the quarrel between the Futurists and the Classicists and the Hellenic modernism of Fascism.
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- Classical Receptions Journal, 2024, v. 16, n. 1, p. 35, doi. 10.1093/crj/clad028
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- Article
3
Ancient tragedy, yet modern music: musical compositions in the classical performances (1921–39).
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- Classical Receptions Journal, 2024, v. 16, n. 1, p. 73, doi. 10.1093/crj/clad027
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- Article
4
Introduction A Hellenic Modernism: Greek Theatre and Italian Fascism.
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- Classical Receptions Journal, 2024, v. 16, n. 1, p. 1, doi. 10.1093/crj/clad026
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- Article
5
Constructing a Hellenic modernism: Aeschylus at the ancient theatre of Syracuse (1914–30).
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- Classical Receptions Journal, 2024, v. 16, n. 1, p. 16, doi. 10.1093/crj/clad025
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- Article
6
Classical dance and Mediterranean imaginaries: Jia Ruskaja in Fascist Italy.
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- Classical Receptions Journal, 2024, v. 16, n. 1, p. 91, doi. 10.1093/crj/clad024
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- Article
7
Afterword: memory and the past: fascism, spectacle, history.
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- Classical Receptions Journal, 2024, v. 16, n. 1, p. 111, doi. 10.1093/crj/clad023
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- Article