'Everything good we stood for': exhibiting Greek art in World War II.
- Published in:
- Classical Receptions Journal, 2016, v. 8, n. 3, p. 404, doi. 10.1093/crj/clv017
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- Publication type:
- Article
Works matching IS 17595134 AND DT 2016 AND VI 8 AND IP 3
Results: 6
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'In joy we prepare our lessons': reading Camus' Noces via their reception of the Eleusinian mysteries.
- Published in:
- Classical Receptions Journal, 2016, v. 8, n. 3, p. 375, doi. 10.1093/crj/clv008
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- Publication type:
- Article
3
Oliver Stone's Aristotle: heroism, displacement, and Aristotelian form in Alexander.
- Published in:
- Classical Receptions Journal, 2016, v. 8, n. 3, p. 357, doi. 10.1093/crj/clv009
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- Publication type:
- Article
4
Saviana Stănescu's Barbarian women: the Empire Writes Back to Ovid.
- Published in:
- Classical Receptions Journal, 2016, v. 8, n. 3, p. 331, doi. 10.1093/crj/clv006
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- Publication type:
- Article
5
'Like wand'ring gipsy': fortune-telling, the Spanish gipsy, and the Cassandra myth on the Victorian stage.
- Published in:
- Classical Receptions Journal, 2016, v. 8, n. 3, p. 315, doi. 10.1093/crj/clw009
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- Publication type:
- Article
6
David Melnick's Men in Aïda.
- Published in:
- Classical Receptions Journal, 2016, v. 8, n. 3, p. 295, doi. 10.1093/crj/clv007
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- Publication type:
- Article