Handbags and Gladrags: a woman in transgression, reflecting.Published in:Classical Receptions Journal, 2012, v. 4, n. 2, p. 261, doi. 10.1093/crj/cls013By:Balmer, JosephinePublication type:Article
‘We’re here too, the ones without names.’ A study of female voices as imagined by Margaret Atwood, Carol Ann Duffy, and Marguerite Yourcenar.Published in:2012By:Braund, SusannaPublication type:Literary Criticism
‘Love and blackmail’: Demeter and Persephone.Published in:2012By:Hurst, IsobelPublication type:Poetry Review
Science fiction and classical reception in contemporary women’s writing.Published in:2012By:Brown, Sarah AnnesPublication type:Literary Criticism
Women’s writing and the classical tradition.Published in:2012By:Theodorakopoulos, ElenaPublication type:Literary Criticism
Fidelity in an arranged marriage: Sarah Ruden and the Aeneid’.Published in:2012By:Cox, Fiona;Theodorakopoulos, ElenaPublication type:Literary Criticism
Metamorphosis, mutability and the third wave.Published in:2012By:Cox, Fiona M.Publication type:Literary Criticism
‘An insurmountable chasm?’: re-visiting, re-imagining and re-writing classical pastoral through the modernist poetry of H.D.Published in:2012By:Tarlo, HarrietPublication type:Poetry Review