Neo-Victorian Hidden Object Games, Participatory Culture, and the Interaction Between Past and Present.
- Published in:
- Adaptation, 2018, v. 11, n. 2, p. 159, doi. 10.1093/adaptation/apx008
- Publication type:
- Article
Works matching IS 17550637 AND DT 2018 AND VI 11 AND IP 2
Results: 8
1
2
From Page to Stage to Screen: The Live Theatre Broadcast as a New Medium.
- Published in:
- Adaptation, 2018, v. 11, n. 2, p. 171, doi. 10.1093/adaptation/apx029
- Publication type:
- Article
3
Film Phenomenology and Adaptation: The “Fleshly Dialogue” of Jane Campion’s In the Cut.
- Published in:
- Adaptation, 2018, v. 11, n. 2, p. 144, doi. 10.1093/adaptation/apx028
- Publication type:
- Article
4
Cormac McCarthy and Performance: Page, Stage, Screen.
- Published in:
- 2018
- Publication type:
- Book Review
5
Cohesion in Comics and Graphic Novels: An Empirical Comparative Approach to Transmedia Adaptation in City of Glass.
- Published in:
- Adaptation, 2018, v. 11, n. 2, p. 122, doi. 10.1093/adaptation/apx027
- Publication type:
- Article
6
Anomalous Foreknowledge and Cognitive Impenetrability in Gnomeo and Juliet.
- Published in:
- Adaptation, 2018, v. 11, n. 2, p. 111, doi. 10.1093/adaptation/apx011
- Publication type:
- Article
7
Adaptation and Perception.
- Published in:
- Adaptation, 2018, v. 11, n. 2, p. 103, doi. 10.1093/adaptation/apy009
- Publication type:
- Article
8
Succeeding The Disaster Artist.
- Published in:
- 2018
- Publication type:
- Film/TV Criticism and Review