The History Man on Television: Ideology and Mediated Embodiment.
- Published in:
- Adaptation, 2017, v. 10, n. 1, p. 127, doi. 10.1093/adaptation/apx003
- By:
- Publication type:
- Article
Works matching IS 17550637 AND DT 2017 AND VI 10 AND IP 1
Results: 7
1
2
Petticoat Sailor to She Crossing: A Screenwriter’s Reflections on Novelizing a Screenplay.
- Published in:
- Adaptation, 2017, v. 10, n. 1, p. 114, doi. 10.1093/adaptation/apx002
- By:
- Publication type:
- Article
3
Adapting The Quiet Man: John Ford, José Luis Guerín, and the Palimpsest of Place.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
4
From Madame Bovary to Ryan’s Daughter: Literary, Cultural, and Historical Palimpsests.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
5
The Wild Palms in a New Wave: Adaptive Gleaning and the Birth of the Nouvelle Vague.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
6
Post-Colonialism From Within: Repoliticisation and Depoliticisation in Ifa Isfansyah’s Adaptation of Ahmad Tohari’s The Dancer.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
7
‘A Soul Worth Saving’: Post-Feminist Masculinities in Twenty-First-Century Televised Adaptations of Jane Eyre and Wuthering Heights.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review