Death and negritude: Bekolo's Miraculous Weapons.
- Published in:
- Journal of African Cinemas, 2024, v. 16, n. 1, p. 81, doi. 10.1386/jac_00109_1
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- Article
Works matching IS 17549221 AND DT 2024 AND VI 16 AND IP 1
Results: 7
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The colonial library and productive futurity in Jean-Pierre Bekolo's Mudimbe's Things and Words (2015).
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- Journal of African Cinemas, 2024, v. 16, n. 1, p. 61, doi. 10.1386/jac_00108_1
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- Article
3
Jean-Pierre Bekolo's Le président : Documenting the absence.
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- Journal of African Cinemas, 2024, v. 16, n. 1, p. 39, doi. 10.1386/jac_00107_1
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- Article
4
Introduction: The future is now in past forward motion.
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- Journal of African Cinemas, 2024, v. 16, n. 1, p. 3, doi. 10.1386/jac_00105_2
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- Article
5
Science fiction and masquerade in Jean-Pierre Bekolo's Les Saignantes (2005): A cinematic way out of Africa's declining future.
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- Journal of African Cinemas, 2024, v. 16, n. 1, p. 15, doi. 10.1386/jac_00106_1
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- Article
6
An interview with Jean-Pierre Bekolo and the contributors of this Special Issue.
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- Journal of African Cinemas, 2024, v. 16, n. 1, p. 99, doi. 10.1386/jac_00110_7
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- Article
7
How to Steal a Country, Rehad Desai and Mark J. Kaplan (dirs) (2019), South Africa: Uhuru Productions.
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- Journal of African Cinemas, 2024, v. 16, n. 1, p. 111, doi. 10.1386/jac_00111_5
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- Article