Tunisians in motion: Performing and narrating the (non-)political in Leyla Bouzid's As I Open My Eyes.
- Published in:
- Journal of African Cinemas, 2019, v. 11, n. 2, p. 141, doi. 10.1386/jac_00012_1
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- Publication type:
- Article
Works matching IS 17549221 AND DT 2019 AND VI 11 AND IP 2
Results: 7
1
2
The Underside of Power (Algiers): On W/Hole people, missing masses and dispositions of politics in popular cinema.
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- Journal of African Cinemas, 2019, v. 11, n. 2, p. 155, doi. 10.1386/jac_00013_1
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- Article
3
Maghreb forever: From Third-Worldism to the epistemology of multiplicity in media culture.
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- Journal of African Cinemas, 2019, v. 11, n. 2, p. 103, doi. 10.1386/jac_00009_1
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- Article
4
Editorial.
- Published in:
- Journal of African Cinemas, 2019, v. 11, n. 2, p. 101, doi. 10.1386/jac_00008_2
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- Article
5
Reviews.
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- Journal of African Cinemas, 2019, v. 11, n. 2, p. 169, doi. 10.1386/jac_00014_5
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- Article
6
Cinema is a country: The transgressive power of images in The Sea is Behind by Hicham Lasri.
- Published in:
- Journal of African Cinemas, 2019, v. 11, n. 2, p. 117, doi. 10.1386/jac_00010_1
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- Publication type:
- Article
7
Insurgent citizenship: Youth, political activism and citizen cinema in post-2011 Morocco.
- Published in:
- Journal of African Cinemas, 2019, v. 11, n. 2, p. 131, doi. 10.1386/jac_00011_1
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- Publication type:
- Article