Works matching IS 17549221 AND DT 2016 AND VI 8 AND IP 1
Results: 9
Accented Algerian documentary: Jean-Pierre Lledo's 'Trilogy of Exile'.
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 103, doi. 10.1386/jac.8.1.103_1
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- Article
Golden age divas on the silver screen: Challenging or conforming to dominant gender norms?
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 11, doi. 10.1386/jac.8.1.11_1
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Algerian cinema between commercial and political pressures: The double distortion.
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 87, doi. 10.1386/jac.8.1.87_1
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The sacrificial sheep in three French-North African films: Displacements and reappropriations.
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 57, doi. 10.1386/jac.8.1.57_1
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Resistance and reinvention: Representations of the belly dancing body in Raja Amari's Satin rouge/Red Satin (2002).
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 29, doi. 10.1386/jac.8.1.29_1
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Religion and individual civil rights: Moroccan Jewish citizens in Where Are You Going Moshe?
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 75, doi. 10.1386/jac.8.1.75_1
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- Article
Introduction to the special issue: The North in African cinemas.
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 3, doi. 10.1386/jac.8.1.3_2
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Documenting defiance: Women film-makers in Tahrir Square.
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 117, doi. 10.1386/jac.8.1.117_1
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- Article
Constructions of sexuality in recent Maghrebi films by women film-makers.
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- Journal of African Cinemas, 2016, v. 8, n. 1, p. 43, doi. 10.1386/jac.8.1.43_1
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- Article