Works matching IS 17549221 AND DT 2014 AND VI 6 AND IP 2
Results: 9
TIA (This is Africa!): Colonial violence in Edward Zwick's Blood Diamond (2006).
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 175, doi. 10.1386/jac.6.2.175_1
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Everyday violence(s) and visualities in Africa: An introduction.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 127, doi. 10.1386/jac.6.2.127_2
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Violence as a symbolic tool of enunciation: Film as an artistic response to Kenya's socio-eco-political realities.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 195, doi. 10.1386/jac.6.2.195_1
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Filming violence in Kenya: From the everyday to the spectacular in Hillary Ng'weno's documentaries.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 185, doi. 10.1386/jac.6.2.185_1
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Everything but 'ordinary': Representations of Africa in film.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 163, doi. 10.1386/jac.6.2.163_1
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Making room for women in the last chapter of the war story: Fanta Régina Nacro's La Nuit de la vérité/The Night of Truth.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 215, doi. 10.1386/jac.6.2.215_1
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Child pornography and the law: Of Good Report (2013). Reopening debates on secrecy, information and censorship.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 151, doi. 10.1386/jac.6.2.151_1
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The violence in the spectacle of excessive signification: Shooting Dogs (1995) and the Rwandan genocide.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 135, doi. 10.1386/jac.6.2.135_1
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HIV and AIDS: The violence of visuality and the visuality of violence.
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- Journal of African Cinemas, 2014, v. 6, n. 2, p. 205, doi. 10.1386/jac.6.2.205_1
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- Article