Works matching IS 17549221 AND DT 2011 AND VI 3 AND IP 2
Results: 7
In the name of 'cinema action' and Third World: The intervention of foreign film-makers in Mozambican cinema in the 1970s and 1980s.
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 173, doi. 10.1386/jac.3.2.173_1
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- Article
Viewing the Angolan experience of war and peace through the filmic representation of Luanda in Maria João Ganga's Na Cidade Vazia/Hollow City (2004) and Zezé Gamboa's O Herói/The Hero (2004).
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 187, doi. 10.1386/jac.3.2.187_1
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Ambivalent transnationality: Luso-African co-productions after independence (1988-2010).
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 221, doi. 10.1386/jac.3.2.221_1
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Cinema on the cultural front: Film-making and the Mozambican revolution.
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 139, doi. 10.1386/jac.3.2.139_1
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Kuxa Kanema: The rise and fall of an experimental documentary series in Mozambique.
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 161, doi. 10.1386/jac.3.2.161_1
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Luso-African cinema: Nation and cinema.
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 135, doi. 10.1386/jac.3.2.135_2
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Rebuilding the Angolan body politic: Global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004).
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- Journal of African Cinemas, 2011, v. 3, n. 2, p. 201, doi. 10.1386/jac.3.2.201_1
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- Article