Works matching IS 17549221 AND DT 2011 AND VI 3 AND IP 2

Results: 7

Viewing the Angolan experience of war and peace through the filmic representation of Luanda in Maria João Ganga's Na Cidade Vazia/Hollow City (2004) and Zezé Gamboa's O Herói/The Hero (2004).

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 187, doi. 10.1386/jac.3.2.187_1

By:

da Silva, Antônio Márcio

Publication type:

Article

In the name of 'cinema action' and Third World: The intervention of foreign film-makers in Mozambican cinema in the 1970s and 1980s.

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 173, doi. 10.1386/jac.3.2.173_1

By:

Bamba, Mahomed

Publication type:

Article

Ambivalent transnationality: Luso-African co-productions after independence (1988-2010).

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 221, doi. 10.1386/jac.3.2.221_1

By:

Ferreira, Carolin Overhoff

Publication type:

Article

Cinema on the cultural front: Film-making and the Mozambican revolution.

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 139, doi. 10.1386/jac.3.2.139_1

By:

Gray, Ros

Publication type:

Article

Kuxa Kanema: The rise and fall of an experimental documentary series in Mozambique.

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 161, doi. 10.1386/jac.3.2.161_1

By:

Loftus, Maria

Publication type:

Article

Luso-African cinema: Nation and cinema.

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 135, doi. 10.1386/jac.3.2.135_2

By:

Meleiro, Alessandra

Publication type:

Article

Rebuilding the Angolan body politic: Global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004).

Published in:

Journal of African Cinemas, 2011, v. 3, n. 2, p. 201, doi. 10.1386/jac.3.2.201_1

By:

Sabine, Mark

Publication type:

Article