Translation as Creative Process: Elaine Feinstein's Marina Tsvetaeva.Published in:Contemporary Women's Writing, 2019, v. 13, n. 2, p. 134, doi. 10.1093/cww/vpz018By:Impens, FlorencePublication type:Article
Bumping into the Novelistic Scaffolding: Narrative Structure in Elena Ferrante's Neapolitan Novels.Published in:Contemporary Women's Writing, 2019, v. 13, n. 2, p. 186, doi. 10.1093/cww/vpz016By:Zarzar, Victor Xavier ZarourPublication type:Article
Resilience and Urban Capabilities in Denise Mina's Garnethill Trilogy.Published in:2019By:González, Carla RodríguezPublication type:Literary Criticism
Salt Fish Girl and "Hopeful Monsters": Using Monstrous Reproduction to Disrupt Science Fiction's Colonial Fantasies.Published in:2019By:Sharp, Sabine RuthPublication type:Literary Criticism
"I don't know who I'd be if I wasn't a writer": An Interview with Kamila Shamsie.Published in:2019By:Tolan, FionaPublication type:Interview
Otherwise, Revolution! Leslie Marmon Silko's Almanac of the Dead.Published in:2019By:Stewart, AnnePublication type:Book Review
A Flattened Protagonist: Sleep and Environmental Mitigation in Lydia Millet's How the Dead Dream.Published in:2019By:Bateman, BenjaminPublication type:Literary Criticism
My Brilliant Friends: Our Lives in Feminism.Published in:2019By:Zarzar, Victor Xavier ZarourPublication type:Book Review
Edwidge Danticat: The Haitian Diasporic Imaginary.Published in:2019By:Collins, JoPublication type:Book Review
Clever Girls and the Literature of Women's Upward Mobility.Published in:2019By:Taylor, Jenny BournePublication type:Book Review
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young's Scarlet Series.Published in:2019By:Fresno-Calleja, PalomaPublication type:Literary Criticism