Introduction.
- Published in:
- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 291, doi. 10.1093/cwwrit/vpx022
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- Publication type:
- Article
Works matching IS 17541476 AND DT 2017 AND VI 11 AND IP 3
Results: 10
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Self/Image: Reading the Visual in Atwood's Fictive Autobiographies.
- Published in:
- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 373, doi. 10.1093/cww/vpx021
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- Publication type:
- Article
3
Space, Time, and the Female Body: Homer's Penelope in Margaret Atwood' The Penelopiad (2005).
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- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 391, doi. 10.1093/cww/vpx027
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- Article
4
How Far Would You Go? Trajectories of Revenge in Margaret Atwood' Short Fiction.
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- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 316, doi. 10.1093/cww/vpx029
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- Publication type:
- Article
5
"I could say that, too": An Interview with Margaret Atwood.
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- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 452, doi. 10.1093/cww/vpx020
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- Publication type:
- Article
6
Imagining Beyond Extinctathon: Indigenous Knowledge, Survival, Speculation - Margaret Atwood's and Ann Patchett's Eco-Gothic.
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- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 412, doi. 10.1093/cww/vpx019
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- Publication type:
- Article
7
MaddAddam, Biocapitalism and Affective Things.
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- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 432, doi. 10.1093/cww/vpx008
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- Publication type:
- Article
8
Aging and Subjectivity in Margaret Atwood's Fiction.
- Published in:
- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 336, doi. 10.1093/cww/vpx018
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- Publication type:
- Article
9
Margaret Atwood's Reception in Canada and the United States: A Comparative Analysis of North American Reviews of The Blind Assassin.
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- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 354, doi. 10.1093/cww/vpx013
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- Publication type:
- Article
10
True Trash: Genre Fiction Revisited In Margaret Atwood's Stone Mattress, The Heart Goes Last, And Hag-Seed.
- Published in:
- Contemporary Women's Writing, 2017, v. 11, n. 3, p. 297, doi. 10.1093/cww/vpx010
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- Publication type:
- Article