Transnational Poetics: Asian Canadian Women’s Fiction of the 1990s.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
Works matching IS 17541476 AND DT 2013 AND VI 7 AND IP 2
Results: 12
1
2
Post-War British Women Novelists and the Canon.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
3
The Relations between Poetry and Movies: Elizabeth Willis’s Turneresque.
- Published in:
- 2013
- By:
- Publication type:
- Essay
4
“And the Transformation Begins”: Present-Tense Narration in Claire Keegan’s Daughter Stories.
- Published in:
- 2013
- By:
- Publication type:
- Essay
5
Transforming Memories in Contemporary Women’s Rewriting.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
6
“A river is not a woman”: Re-visioning Finnegans Wake in Eavan Boland’s “Anna Liffey”.
- Published in:
- 2013
- By:
- Publication type:
- Essay
7
Innovation and Reflection in the New Millennium: The “Double Voice” in Carol Shields's Short Fiction.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
8
Pictures from an Exhibition: Dalia Sofer and the Jews of Iran.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
9
The Cambridge Companion to Twentieth-Century British and Irish Women’s Poetry.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
10
Echo, Irony, and Repetition in the Writings of Denise Riley.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
11
Notes on Contributors.
- Published in:
- Contemporary Women's Writing, 2013, v. 7, n. 2, p. 233, doi. 10.1093/cww/vpt007
- Publication type:
- Article
12
Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake.
- Published in:
- 2013
- By:
- Publication type:
- Book Review