Iron(ic) Ladies: Thatcher, the Wanderer, and the Post-Imperial Grotesque in Angela Carter’s Nights at the Circus.Published in:2010By:Oliver, MatthewPublication type:Literary Criticism
Poetics of Dislocation. Meena Alexander.Published in:2010By:Thompson, Zoë BrigleyPublication type:Book Review
Notes on Contributors.Published in:Contemporary Women's Writing, 2010, v. 4, n. 3, p. 260, doi. 10.1093/cww/vpq018By:Tolan, FionaPublication type:Article
(Un)Disciplining Traumatic Memory: Mission Orphanages and the Afterlife of Genocide in Micheline Aharonian Marcom’s The Daydreaming Boy.Published in:2010By:Saunders, Rebecca;Avagyan, ShushanPublication type:Essay
In Love and Struggle: Letters in Contemporary Feminism. Margaretta Jolly.Published in:2010By:Wandor, MichelenePublication type:Book Review
To Leave and to Return: Frustrated Departures and Female Quest in Alice Munro’s Runaway.Published in:2010By:Tolan, FionaPublication type:Literary Criticism
“Was that her talking or the book?”: Translating Language and the Law in Sarah Dunant‘s Transgressions.Published in:2010By:Macpherson, Heidi SlettedahlPublication type:Literary Criticism
Gender-Bending Fantasies inWomen’s Writing: Fantastic in Angela Carter’s The Infernal Desire Machines of Dr. Hoffman, Nights at the Circus, and Jeanette Winterson’s The Passion, The.PowerBook. Mine Ozyurt Kilic.Published in:2010By:Alban, Gillian M. E.Publication type:Book Review
The Last Laugh: A Critique of the Object Economy in Margaret Atwood's Oryx and Crake.Published in:2010By:Hall, Susan L.Publication type:Literary Criticism