Works matching IS 17527066 AND DT 2013 AND VI 6 AND IP 3
Results: 7
Collage, montage and the composer Pierre Henry: The real, the concrete, the abstract in sound art and music.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 275, doi. 10.1386/jmte.6.3.275_1
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What I did on my holidays: The concrete and the ephemeral in acousmatic composition.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 311, doi. 10.1386/jmte.6.3.311_1
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Compositional methods in electroacoustic music.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 251, doi. 10.1386/jmte.6.3.251_2
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Tracking production strategies: Identifying compositional methods in electroacoustic music.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 323, doi. 10.1386/jmte.6.3.323_1
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Capture, manipulate, project, preserve: A compositional journey.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 285, doi. 10.1386/jmte.6.3.285_1
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Displaying the beauty: The beachcomber-bowerbird approach to composition.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 299, doi. 10.1386/jmte.6.3.299_1
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- Article
Notes, sounds, outsides and insides: Perspectives on pitch in acousmatic music.
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- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 255, doi. 10.1386/jmte.6.3.255_1
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- Article