Palimpsest, porosity and subception: The heard and the unheard in Paul Winkler's Bondi and Sydney Harbour Bridge.
- Published in:
- Soundtrack, 2011, v. 4, n. 2, p. 71, doi. 10.1386/st.4.2.71_1
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- Publication type:
- Article
Works matching IS 17514193 AND DT 2011 AND VI 4 AND IP 2
Results: 7
1
2
Cape Fear: Remaking a film score.
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- Soundtrack, 2011, v. 4, n. 2, p. 117, doi. 10.1386/st.4.2.117_1
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- Publication type:
- Article
3
On lip-sync: Three audio-visual vignettes from the 1970s.
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- Soundtrack, 2011, v. 4, n. 2, p. 153, doi. 10.1386/st.4.2.153_1
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- Publication type:
- Article
4
Music, lust and modernity: Jazz in the films of Ingmar Bergman.
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- Soundtrack, 2011, v. 4, n. 2, p. 89, doi. 10.1386/st.4.2.89_1
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- Publication type:
- Article
5
'Moon River and Me': The film-song as leitmotiv in Breakfast at Tiffany's.
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- Soundtrack, 2011, v. 4, n. 2, p. 137, doi. 10.1386/st.4.2.137_1
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- Publication type:
- Article
6
EDITORIAL.
- Published in:
- Soundtrack, 2011, v. 4, n. 2, p. 67, doi. 10.1386/st.4.2.67_2
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- Publication type:
- Article
7
Closer to Così fan tutte? The film soundtrack, intertextuality and reception.
- Published in:
- Soundtrack, 2011, v. 4, n. 2, p. 101, doi. 10.1386/st.4.2.101_1
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- Publication type:
- Article