Surrounded by sound: The aesthetics of multichannel and hypersonic soundscapes and aural architectures.Published in:Soundtrack, 2011, v. 4, n. 1, p. 5, doi. 10.1386/st.4.1.5_1By:Atkinson, SarahPublication type:Article
'Connecting hearing to viewing and knowing to feeling': Sound as evocation in non-fiction film with particular reference to No Escape (Cox, 2009)1.Published in:Soundtrack, 2011, v. 4, n. 1, p. 43, doi. 10.1386/st.4.1.43_1By:Cox, GeoffreyPublication type:Article
The Soundtrack-CINESONIKA 1 Issue.Published in:Soundtrack, 2011, v. 4, n. 1, p. 3, doi. 10.1386/st.4.1.3_2By:Filimowicz, MichaelPublication type:Article
Sound matters: Towards an enactive approach to hearing media.Published in:Soundtrack, 2011, v. 4, n. 1, p. 33, doi. 10.1386/st.4.1.33_1By:Schmidt, LisaPublication type:Article
Sonic motifs, structure and identity in Steve McQueen's Hunger.Published in:Soundtrack, 2011, v. 4, n. 1, p. 23, doi. 10.1386/st.4.1.23_1By:Melvin, AdamPublication type:Article