Review.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 151, doi. 10.1386/st.3.2.151_4
- By:
- Publication type:
- Article
Works matching IS 17514193 AND DT 2010 AND VI 3 AND IP 2
Results: 10
1
2
Editorial.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 81, doi. 10.1386/st.3.2.81_2
- Publication type:
- Article
3
Index - Volume 3.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 156, doi. 10.1386/st.3.2.156_4
- Publication type:
- Article
4
With one eye on: Viewing a sound installation.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 117, doi. 10.1386/st.3.2.117_1
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- Publication type:
- Article
5
Authenticity and realism in documentary sound.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 131, doi. 10.1386/st.3.2.131_1
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- Publication type:
- Article
6
Rich voices in talky talkies: The Rich Are Always with Us.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 109, doi. 10.1386/st.3.2.109_1
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- Publication type:
- Article
7
Towards a radically different understanding of experience: Looking for an heautonomous auditory field in film.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 139, doi. 10.1386/st.3.2.139_1
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- Publication type:
- Article
8
An audio-visual Gallivant: Psychogeographical soundscapes in the films of Andrew Kötting.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 125, doi. 10.1386/st.3.2.125_1
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- Publication type:
- Article
9
The use of dance music and the synergy of narrative vehicles in Run Lola Run.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 83, doi. 10.1386/st.3.2.83_1
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- Publication type:
- Article
10
Surfing a political soundscape: Kathryn Bigelow's Point Break.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 97, doi. 10.1386/st.3.2.97_1
- By:
- Publication type:
- Article